Architecture, Oradea

The eclectic-style Financial Palace was completed in 1912. Earlier, the plot was occupied by the house of György Komáromi Csipkés, a judge of the city, which hosted the preparatory negotiations of the Treaty of Szatmár in 1711. https://www.budapest.com/hungary/debrecen/sights/financial_palace.en.html?sid=lo2o84r1d855jiat310e3cglb5

Built in Baroque and Louis Seize style, the church was elevated to cathedral rank by Pope John Paul II in 1993. A certified replica of the Turin Shroud has been on display in the building since 2011. 2015 has been designated as Catholic Memorial Year, to mark the tercentenary of the movement started to reorganize practices and activities of the Catholic faithful in Debrecen. https://www.debrecen.hu/en/tourist/places/st-annes-cathedral

The Déri Museum is most famous for being the home of the greatest works of one of Hungary’s most famous and celebrated artists, Mihály Munkácsy, as well as the huge collection of other items, brought together by Frigyes Déri. Munkácsy’s awe-inspiring Christ Trilogy is housed here, the first of the trilogy, entitled front of Pilate was painted in 1882, followed by Golgotha in 1884. The trilogy was completed with Ecce Homo in 1896. In addition to its exhibits of local cultural interest, the Déri Museum has become renowned for Frigyes Déri’s collection of weapons. The weapons collection is particularly fine, comprising of three parts. Weapons from Christian Europe, from the 15-18th. The second part is comprised of classic Muslim weapons from the territory of the Ottoman Empire and Persia. The third part, although the smallest is the finest part, is the weapons collection from the Far East. The Japanese collection is of commonly used items made in the Edo era and is undoubtedly the best in Hungary. https://visitdebrecen.com/see-do/deri-museum/

The Purgly Castle is a historic monument located in Şofronea, Arad county. Based on documents is believed the castle construction date would be around 1789. However, the first documentary mention is in 1889, the building appears in a document that mentions an exchange of land. Baron Janos Purgly is one that has transformed the old castle giving her current appearance. http://www.uvisitromania.com/tourist-attractions/arad/purgly-castle-id547

In 1642 Pater Andrija Stipancic, an observant franciscan monk from the “Bosna Argentina” province and priest at Radna, succeeds, after a long pilgrimage on foot made to Istambul and back, to obtain an Embre from the sultan for the renovation of his chapel. http://www.uvisitromania.com/tourist-attractions/arad/basilica-maria-radna-id532

The Red Church is a historical and architectural monument of the Arad city. The building serves as a place of worship of the Evangelical-Lutheran Church in Romania. The name comes from the external finish of polished brick. The church is built in 1906 in Gothic style, with the main tower of 46 meters and a Gothic-style stained glass. At the inauguration, the church had three bells in weight 1590 kg. During World War I, from the disposal of the authorities have been melted two bells, from their bronze were made projectiles. The bells were cast in the foundry workshop Hönig from Arad, famous for bronze casting work. http://www.uvisitromania.com/tourist-attractions/arad/the-red-church-id537

The Cenad Palace (Palatul Cenad) is a three-story, 19th century, eclectic, neo-classical, architectural style palace located in the city of Arad, Romania. The palace was constructed with the sole purpose of functioning as the headquarters for Arad’s Railway Company. Funding for the palace was provided by the very wealthy and aristocratic Count Želenski Robert. The Cenad Palace has an imposing presence in the Arad center. It is surrounded by many other eclectic and neo-classical style buildings which were Arad’s predominant architectural styles in the era of the late 19th century. The palace is considered and listed as one of Romania’s Historical Monuments. The palace is shaped like an L and contains two spectacular towers on the front left and front right corners. There are four separate entrance gates which lead inside the building. The palace’s courtyard contains two dazzling 19th-century gas chandeliers which have been well preserved for many decades. https://roamingromania.com/cenad-palace-arad/

The Administrative Palace of Arad is a building built between 1872-1875, which today houses the Arad City Hall. Architectural gem, shaped in "U", with 90 rooms, a true "Palazzo del Municipio", the building reflects the possibilities and also the willingness of citizens to keep up with European modernization. http://www.uvisitromania.com/tourist-attractions/arad/the-administrative-palace-id533

The Fortress of Arad is a solid fortification system which was built in the 18th century at the orders of, and with the funding from, the Habsburg Empress, Maria Theresa. The cost to complete and erect the fortress reached 3 million Gulden (the currency used by the Habsburg Monarchy at the time). The fortress was built as an inner fortification system to protect the outer region of the Habsburg empire from conflicts in the area. The main conflicts at the time were the ongoing wars between the Habsburgs and the Turkish Ottomans. The location for the fortress was chosen strategically to be at the crossroads of two very important trade routes of the day. It lies in the middle of the trade routes that led from the West to the Transylvania Region, and from the North, Oradea, and Satu Mare, to Timisoara, and down to the Danube waterway. http://roamingromania.com/fortress-of-arad/

The Neumann Palace (Palatul Neumann) is a two-story, 19th century, eclectic architectural style palace that’s located in the city center of Arad, Romania. The palace was founded by and built to be, the living quarters for the Jewish, Neumann family, which emigrated to Arad from Vienna in the mid-19th century. The Neumann family went on to become one of the most influential, wealthy, and aristocratic families in all of Romania at the end of the nineteenth century and the first half of the twentieth century. The Neumann’s amassed great fortunes by owning many factories, stadiums, schools, and by controlling the majority of industry in Arad at the time. Some of the family’s most profitable businesses were their spirit and yeast factories, their textile factories, and their steam-powered flour mills. The Neumann family played a significant role in the early development of Arad. Their factories employed and provided salaries to thousands of Arad citizens. The family built schools and stadiums for the community. They also helped fund projects that modernized much of the city’s infrastructure. https://roamingromania.com/neumann-palace-arad/

The Cultural Palace (Palatul Cultural) is an early 20th century diverse (multi) architectural style palace located in the city of Arad, Romania. The architecture of the building contains the Classic Italian Renaissance, Romanian Baroque, and French Gothic, elements and designs. The inspiration for some of the palace’s design came from the 15th century Corvin Castle, of Hunedoara, Romania. The idea for the Cultural Palace came from the Kölcsey Cultural Association (Society) of Arad. The Kölcsey Cultural Association of Arad was a literary, historical association that operated in Arad from 1881-1948, and again in 1989. The association was formed by and consisted of a committee of Hungarian’s that were living in Arad. They are credited for preserving much of Arad’s culture and history. https://roamingromania.com/arad-culture-palace/

The Ioan Slavici Classical Theatre (Teatrul Clasic Ioan Slavici) is a three-story, nineteenth century, neoclassical theatre located in the city of Arad. The building was named after one of Romania’s most renowned writers, journalist, and Arad native, Ioan Slavici. The theatre has put on thousands of shows throughout the decades that have delighted and dazzled guests from both near, and afar. The theatre’s inception took place in 1868 when Arad’s city mayor, Aztel Peter, and the baron, Béla Bánhidy, along with other city officials, decided that the city had to have a new theatre. After the decision was made they moved forward and replaced Arad’s old and outdated baroque style theatre, which had been functioning as the city’s primary theatre since 1817, with the new Ioan Slavici Classical Theatre. https://roamingromania.com/ioan-slavici-classical-theatre-arad/

The Cathedral "Birth of St. John the Baptist" is a monument of baroque architecture in the Arad city. The building was built between 1862-1865. The main funders of construction were family Mocioni and banker Gheorghe Sina. The two towers of the facade were raised in 1904. The two towers are provided with a clock on each side. The church served as the cathedral of the Diocese Arad until 2009, when Holy Trinity Cathedral in Arad, built since 1991, has acquired this feature. http://www.uvisitromania.com/tourist-attractions/arad/cathedral-birth-of-st-john-the-baptist-id540

The Water Tower is a building in the city of Arad, which resembles a medieval fortress donjon. The Water Tower has 35 m height and was opened in 1896. At the time of construction, it was the tallest building in the city. It is a massive stone and brick building, which is characterized by the decoration of balconies and windows. On the top floor, there is a water tank with a capacity of 400 tons, which you can get using the scale. http://www.uvisitromania.com/tourist-attractions/arad/water-tower-id546

The Bezdin Monastery is a monastery dedicated to the Assumption, located in Lunca Muresului Natural Park, near the village Munar, Arad County, on the right bank of the river Mures. The monastery was founded in 1539, the name comes from the Bezdin lake located in the eastern part of the monastery. During the Ottoman occupation, the monastery was burned by the ottomans, and in 1690 a brick church was built in Byzantine style as a form of clover with three abisade. Inside the church is a miraculous icon of Our Lady, brought from Mount Athos. http://www.uvisitromania.com/tourist-attractions/arad/bezdin-monastery-id549

The National Ethnographic Vuia, established in 1929, bears the name of its founder and first museum manager, Professor Romulus Vuia. The exhibited pieces are in fact old traditional buildings, grouped according to their regional establishments, folk architecture monuments, folk installations, craftsman workshops, wells, gateways, big wooden crosses and indoor textiles. Interesting facts: •The Ethnographic Museum is the oldest from Romania; •The oldest exhibit pieces date back from 1678; •The church from Cizer-Salaj, at the construction of which contributed Nicola Ursu (Horea), just before the 1784 uprising, is one of the most beautiful wooden churches in Transylvania; weddings are still being officiated in this architectural monument; •It hosts annual fairs and traditional cultural manifestations. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-romulus-vuia-national-ethnographic-park.html

The building was constructed at the end of 19th century, according to the plans of the architect Alpár Ignác, having a baroque facade of Viennese style and a corner tower with a clock that impresses by strength and sobriety. On the tower was applied the Prefecture's coat of arms (Cluj County) because the initial destination of the building was that of a County headquarter. The building was included in the systematization plan of the city in 1798 which stated that any new construction had to have the city council’s approval. The initial destination of the building as the headquarter of the County was multiple – political, administrative, fiscal headquarter etc., where the County officials were deciding the wellbeing of the area; in the big chambers, besides the usual meetings, exhibitions of famous and of young artists as well as the city balls from the beginning of the 20th century took place. Nowadays it is the headquarter of the Cluj-Napoca City Hall, an institution that follows the principles of local administrative and financial autonomy, decentralization of public services, lawfulness and eligibility of the local public administration authorities, the consultation of the citizens on community issues. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/clujnapoca-city-hall.html

Founded in 1922 by professor Romulus Voia, the Ethnographic Museum of Transylvania entered the elite of the Romanian ethnographic museums, due to the exceptional quality of its patrimony. It is currently composed of over 41.000 traditional peasant objects from 17th-20th centuries and a documentary fund of over 80.000 items. The museum has two sections: the Pavilion Section and „Romulus Vuia” ethnographic Park (the open-air section). The Pavilion Section functions in „Reduta” Palace – a historical monument that dates since the 16th century. The current pavilion exhibition, vernished on 16th of December and called „Traditional folk culture from Transylvania in the 18th-20th centuries”, rebuilds, with talent, the way in which the Transylvanian peasantry lived two centuries ago. As testimonies remained simple tools or ingenious equipment used in domestic activities, culminating with rich folk suits, which showed not only the stage of the life but also the social position of the one who wore them. There are also presented traditional costumes of the life cycle, the calendar ones and the peasant costumes, with an essential role in highlighting the regional and ethnic identity. Curiosities: With a history of more than 80 years, the museum is the greatest of this kind in Romania and among the most prestigious in Europe (the sixth). The museum functions in „Reduta” building, which housed during 1848-1865 the Transylvanian Diet. The famous trial of the authors of the Transylvanian Memorandum took place in this building in 1894-1895. It has 50.000 photos, 5.000 diapositives, 12.000 specialised magazines. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-ethnographic-museum-of-transylvania.html

The Matthias Corvinus House (or Mehffy House) is a stylish building in gothic style from the 15th century (today, Art and Design University of Cluj Napoca). In this house, which was the city’s inn in past, was born on 23rd of February 1443 Matia Corvin, the son of the vaivode of Transylvania, John Hunyadi (Ioan de Hunedoara). Matia Corvin was the greatest king of Hungary (1458-1490), he was learned, patron of arts, wise and just, being mentioned in songs and legends even today. In 1467, he acquited the owners of the house in which he was born from paying taxes and fees to the city. This privilege was enforced by the next kings and princes. The house served as different institutions. It was a college but was also home for the ethnographic collections of the Transylvanian Carpathian Society. Over time, the building has suffered various changes, adapted to the new architectural styles. The basement and some platband of windows and doors that have lintels in the oblique section are characteristic of the gothic style. During the first half of the 16th century appeared the first elements of the Renaissance: some platbands from Renaissance on the facade, with denticles, together with gothic elements, as well as the portal in a broken arch. The original arches were chiefly replaced. During the 18th century, the building was made a hospital and the yard had suffered a few baroque changes. At the end of the 19th century, the building was in an advanced state of degradation and it was restored. Many elements of Art Nouveau, Secession were introduced, being in fashion at that time. In the ’50s of the last century, the modifications of Art Nouveau were removed, being incompatible with the architecture of the building, which gained the present appearance. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-matthias-corvinus-house.html

The Roman Catholic "Saint Michael" Church (Unirii Square), a great historical and religious architecture monument are one of the most imposing gothic edifices from our country. It was built approximately between 1350 and 1480, being the first hall church from Transylvania. The main portal, carved in 1444 in gothic style, ends with a high accolade, showing in the central part the carved image of archangel Michael. The tower from the north facade was built between 1834 and 1863 in neo-gothic style and it is 80 meter high, including the cross. The inside and outside decorations and the baroque carved pulpit are also remarkable. An extraordinary execution is the portal of the sacristy, from the Renaissance (1528) with Italian motifs and a strong south-German influence. The body of the pulpit, in baroque style, was carved by Johannes Nachtigall and Anton Schuhbauer. The mural picture, fragmentary kept, shows stylistic influences from northern Italy and reveals the first signs of the Renaissance in the painting from Cluj-Napoca. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/page/2/the-roman-catholic-saint-michael-church.html

The Art Museum of Cluj-Napoca is a public institution of a culture whose mission is to preserve, research and put forward the real and virtual patrimony of Romanian and universal art. With a collection of over 12,000 paintings, sculptures, graphic arts and decorative pieces, it is considered one of the most important museums in Romania. Founded as an institution in 1951, the museum has been operating since 1956 in the Banffy Palace – a baroque building which was built based on the plans of the architect J.E. Blaumann during the years 1774-1785, its destination being that of residence for the governor of Transylvania. It is the most important baroque edifice in Cluj-Napoca and one of reference for the 18th-century Romanian architecture. A series of sculptures with remarkable artistic value made by Anton Schuchbauer were added to the building in order to complete its stone architectural decorations. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-art-museum-of-clujnapoca.html

The Orthodox Metropolitan Cathedral (Avram Iancu Square) – Romanian Orthodox Mitropoly of Cluj, Alba, Crisana, Maramures. Archiepiscopate of Vad, Feleac and Cluj (18 Avram Iancu Square). It was built between 1923-1933, according to the plans of the architects Constantin Pompoiu and George Cristinel, representing the Romanian stylistic current. It is one of the most important religious buildings from Cluj Napoca municipality. The church is dedicated to the Assumption – the date in which the Romanian Army entered Transylvania (15th of August 1916). In 1973, when the Diocesan See of Cluj was made Archiepiscopate, the church became an archepiscopal cathedral. Since 1996, the cathedral had been in a great process of outside restoration, a process which came to an end in 1999. Inside, a new Byzantine painting was made, in the famous mosaic of Murano. Since 2006, the building has served as the cathedral of the Archiepiscopate of Vad, Feleac and Cluj, which is also metropolitan of Cluj, Alba, Crisana and Maramures. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-orthodox-metropolitan-cathedral.html

On the western part of the old city walls, guarded by three bastions and gates, this square was initially a marketplace, which was going to be moved to the central square. Eventually, the marketplace was moved closer to the railroad, in the current location of Mihai Viteazul square. Thus, at the end of the 19th century and the beginning of the 20th century the walls and gates of the city were demolished, and a small park was arranged in this square. Later, new buildings were erected here, such as the National Theater, the Orthodox Cathedral, the building of the Chamber of Commerce and Industry, in the Art Nouveau style (today, the office of the Cluj Prefecture); the building of the old “Unió” Masonic Lodge (no. 7 Avram Iancu Sq.); the building of the old military garrison (today, the building of the County School Inspectorate, also known in the oral tradition of the city as the “red building”, a name earned by the red brick walls of the building); the Palace of Justice, where the Court of Appeal and the Tribunal are housed; the EMKE Palace (Hungarian Cultural Association of Transylvania), later purchased by MÁV (Magyar Államvasútak, Hungarian State Railroads), currently the headquarters of the CFR Regional Office; the building of the Archbishopric of Vad, Feleac and Cluj, which houses the Faculty of Orthodox Theology and the building of the Protestant Theology, on the old site of the Reformed Church’s Prayer House. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/avram-iancu-square.html

The two cultural institutions were founded in 18th September 1919, as an expression of spiritual rebirth after the Great Union in 1918. The building which houses the „Lucian Blaga” National Theatre and the Romanian Opera was built between 1904 and 1906, as a seat for the Hungarian National Theatre, by the famous Viennese firm „ Fellner und Helmer”, combining stylistic elements of new-baroque and Secession. The hall has 928 setas and it is built in New-Baroque style. For decorating the lobby were used stylistic modulations inspired by Secession. The National Theatre and the Romanian Opera have been functioning there since 1919. The opening show of the National Theatre of Cluj took place on 1st and 2nd December 1919, with the plays „Se face ziua” by Zaharia Barsan and „Ovidiu” by Vasile Alecsandri. The „Eupharion” Studio of the National Theatre is specially designed for the young artists and their creative experiments. The Romanian National Opera from Cluj Napoca is the first lyrical dramatic state institution from Romania. The inaugural show took place on 25 May 1820, with the play “Aida” by G.Verdi. More than 200 titles of operas, operettas and ballets from the world repertoire have been put on scene at the Romanian Opera so far. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-lucian-blaga-national-theatre-and-romanian-opera.html

The Tailors' Tower (Baba Novac Street / Stefan cel Mare Square) is part of the second fortified precinct of the walls system and of the fortifications of the city, built in the first half of 15th century and continued until the 17th century. It was built on the South-Eastern corner of the city defence wall, after 1405, following the privileges keyed by King Sigismund of Luxemburg. The first confirmed documents date 1457, from the time of King Matia Corvin. The administration of the Tower was entrusted to the most powerful guilds of the town – the tailors' guild. Over time, the Tower was devastated several times (1551-1553, 1601, 1627, and 1707). The actual shape is given by the last big reconstruction from 1709-1711, made by the Austrians, out of over 150 stone wagons. The Tower has renewed again in 1956-1957 when they attempted the opening of a history museum of the city of Cluj, a project forbidden by the communist authorities in 1959. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/page/4/the-tailors-tower.html

The Holy Trinity - the roman-catholic cathedral was built in 1766 by Jesuits on the place of former St. Martin church. The cathedral holds an organ with three registers, built between 1940-1944. The cathedral, which is the perspective head of the Unirii Boulevard in Baia Mare, is an impressive building, representative for the construction of churches in Transylvania, built in the tradition of Orthodox churches, with dimensions of 85 m long, 50 m wide and 85 m high. The cathedral capacity is about 3000 people. From the first level, being plated with brick from Oradea, paved on the floor with porcelain stoneware from Spain and iconostasis made of brick with icons in Murano mosaic. Spacious altar, sf. brick table with a marble plate 2 / 1,50m, gr. 5cm., Oak furniture, wrought iron chandeliers. Twelve columns supporting the central dome and main nave. In the back of the church there is a large Byzantine Hall, where there are exhibitions of icons, two offices and four warehouses. Considering the large influx of believers who frequent this cathedral, the access and exit is made on two doors and two monumental stairs, and at the exit there are two places to light candles. http://www.catedralabaiamare.ro/

The Stefan Tower is the bell tower of the former church dedicated to "Saint King Stephen of Baia Mare. The tower is located between Crișan and 1 Mai streets, in the immediate vicinity of Liberty Square - Central Square (Circulus fori) - of the old city. It was built The first documentary attestation of the "Sfântul Ștefan" church dates from 1347, but the construction was officially inaugurated only in 1387. The tower, built of solid stone, was built at the initiative of Prince Ioan de Hunedoara, to mark the victory. from Ialomita (1442) against the Ottomans. The construction of the tower begins after 1446 but is completed only in 1468, under the reign of Matthias Corvinus. In 1619, the upper part was rebuilt, having the shape of a pyramid with a square base, with four turrets and is endowed with bells. Nine years later, a moon clock is set. Repeatedly affected by lightning and fire, the two buildings underwent several major repairs, but in 1763 only the tower was rebuilt. On this occasion, the porch at the top is built. https://www.baiamare.ro/ro/Descopera-Baia-Mare/Obiective-turistice-si-atractii/Atractii-turistice/Turnul-Stefan/

Iancu de Hunedoara House was built in 1446, it is part of the old medieval castle built by Iancu for his wife Elisabeta. https://www.baiamare.ro/ro/Descopera-Baia-Mare/Obiective-turistice-si-atractii/Atractii-turistice/Casa-Iancu-de-Hunedoara/

The Assumption Cathedral in Baia Mare is a place of worship built by the Greek Catholic faithful in Baia Mare between 1905-1911. The building is declared a historical monument (code LMI MM-II-mB-04471), next to the episcopal palace of the Greek Catholic Episcopate of Maramureș and the former confessional school (currently Șc. Gen. no. 2), all located on Vasile Lucaciu Street from the municipality of Baia Mare. https://www.baiamare.ro/ro/Descopera-Baia-Mare/Obiective-turistice-si-atractii/Atractii-turistice/Catedrala-Adormirea-Maicii-Domnului/

The Roman-Catholic Episcopacy Palace is one of the most representative Baroque buildings in Timişoara. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/240-palatul-episcopiei-romano-catolice.html

The monument has two names – both used: “St. Mary monument” and “St. Nepomuk monument". Both are (and were) correct, but could cause confusion: there was another “Mary”, quite famous, and it is in the namesake square from Iosefin, and there is also another Nepomuk near the Millennium Church in Fabric. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/230-monumentul-sfintei-maria.html

Libertăţii Square is undoubtedly the oldest of the Timişoara squares. Libertăţii Square’s location is also the site of the original nucleus from which Timişoara’s evolution started, the first place where people settled and lived continuously in the hearth of today’s city. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/250-piata-libertatii.html

The neighbouring building is the Town Hall built by the plans of Ödön Lechner and Gyula Pártos. The 150-year-old building of the City Hall was demolished in 1892. József Katona, the writer of our national drama worked there for 10 years. He collapsed and died at the entrance. The cracked stone monument set up at the scene of his heart attack in front of the building reminds us of this tragic event. The notice on this monument says: „The heart of the son of Kecskemét broke here.” In 1895 the offices moved into the building of which area is 5534 m2 and has 174 rooms. On the 8th July, 1911 there was a huge earthquake in the city which did not spare the City Hall either. Its collapsed chimneys and cracked walls were soon reconstructed under the direction of Ödön Lechner. The style of the building with its nearly rectangle-shaped ground-plan mixes the forms of the French Renaissance architecture and the elements of our popular art. The Ceremonial Hall is the venue of the General Assembly meetings of the city, national and international conferences, wedding ceremonies and ceremonial receptions. The period furniture of the Ceremonial Hall is handicraft work. The wooden furniture and the printed leather backed chairs were made in Szeged according to the design of Lechner and Pártos. The beautiful and richly coloured glass windows were made in the workshop of the famous Miksa Róth. The decorative wall-painting was made by Adolf Götz, the wall-candlesticks and the chandelier were made by Sándor Árkay, Imperial and Royal locksmith upon the basis of the designs of Szilárd Várady. The paintings were made by the famous Hungarian painter Bertalan Székely. These paintings show some periods of the Hungarian history embracing one thousand years. https://www.budapest.com/hungary/kecskemet/sights/town_hall.en.html