Architecture, Rovinj

The Temple, situated in the Forum, is dedicated to goddess Roma and Emperor Augustus. It was constructed between the year 2 BC and AD 14 when the Emperor died. According to its shape, it follows the typical pattern of temples. The function of the Temple changed through the years: with the ending of the pagan ancient era its original pagan function ceased and the temple was afterwards used as a church, granary, and at the beginning of the 19th century it was a museum for stone monuments. In 1944 it was hit by a bomb and completely destroyed. It was reconstructed between the years 1945 and 1947 and nowadays it houses a collection of ancient stone and bronze sculptures. The other twin temple, of which only the back wall is preserved, is believed to have been constructed at the same time and in the same style and was called the Temple of Diana. http://www.pulainfo.hr/where/temple-of-augustus

The most famous and important monument, the starting and ending point of every sightseeing tour is the Amphitheater, popularly called the Arena of Pula, which was once the site of gladiator fights. It was built in the 1st century AD during the reign of Emperor Vespasian, at the same time as the magnificent Colosseum in Rome. The ground plan is elliptical, the longer axis measuring about 130 m and the shorter one about 100 m. Gladiator fights took place in the central flat area called the arena, while the spectators could sit on the stone tiers or stand in the gallery. It is believed that the Amphitheater could seat about 20,000 spectators. Local limestone was used for its construction. In the Middle Ages, it was the site of knights tournaments and fairs. Today, it is the venue for many different events – Pula Film Festival, various concerts, opera, ballet, sports competitions… since its capacity is about 5000 spectators. http://www.pulainfo.hr/where/arena-amphitheater-2

By collecting stone monuments in the Temple of Augustus in 1802, marshal Marmont began the founding of the museum collection in Pula. However, the discovery of stone, ceramic and metal objects in Nesactium was the basis for founding the Museo Civico (City Museum) in Pula in 1902. After the seat of the “Società istriana di archeologia e storia patria” had been moved and with the transfer of the archaeological inventory from Poreč to Pula, the Museo Civico was integrated with the National collection (stone monuments) and the Poreč Regional Museum (Museo Provinciale) into one regional institution. Therefore, in 1925 the Museum of Istria (Il Regio Museo dell’Istria) was founded in the present-day museum building. In 1930 the museum opened its doors to visitors, and a guidebook in Italian was published. This exhibition, along with minor changes, was open for the public until the end of World War II, when many objects were transferred to Italy during the Anglo-American administration. https://www.pulainfo.hr/where/archaeological-museum-istria-2

It stands between two, most probably medieval towers, of simple construction built of uncarved stone blocks. At the top of the damaged arch, although hardly recognizable, is a carving of the head of Hercules and his club. Close to the club is a damaged inscription, most interesting in the historical context since it contains the names of two Roman officials, Lucius Calpurnius Piso and Gaius Cassius Longinus to whom the Roman Senate had entrusted the duty to found a Roman colony at the site of today’s Pula. Thus, between 47 and 44 BC Pula was founded as a settlement with urban features. Since the upper circular street passed though this gate, the axis of communication was obliquely placed with respect to the direction of the city walls. https://www.pulainfo.hr/where/gate-of-hercules

It is one of the two chapels built in the 6th century as part of a large Benedictine abbey demolished in the 16th century. The floor and walls were decorated with mosaics, some of which are now in the Archaeological Museum of Istria. It was built in the style of Ravenna churches, the only difference being the use of stone instead of brick. Due to its dimensions, method of construction and good state of preservation, the Chapel represents an extraordinary architectural masterpiece of its time. https://www.pulainfo.hr/where/chapel-st-maria-formosa

The “Golden Gate” was erected between the years 29 and 27 BC by the Sergi family, in honor of three members of the family who held important positions in Pula at that time. This triumphal arch leaned against the city gate Porta Aurea thus called because of its richly ornamented arch or gilded elements. The gate and wall were pulled down in the beginning of the 19th century as a result of the city expansion outside the city walls. The Arch was constructed in Corinthian style with strong Hellenistic and Asia Minor influences both in the method and ornaments. As the eastern side was not visible it has remained for the most part uncarved, while the western, town side is richly decorated. Today numerous cultural performances, theatrical and musical, are held on the square next to the Arch. The adjacent street is a shopping area. https://www.pulainfo.hr/where/triumphal-arch-sergi-golden-gate

Visit the Villa Angiolina, a former summer residence and today the seat of the Croatian Museum of Tourism. The museum hosts various exhibitions, workshops and projects that will explain to you why Opatija was a favourite destination for many historical figures. This is the building that certainly marked the beginning of the tourist epoch in the history of Opatija. Pending its building in 1844. (actually a reconstruction of an older building owned by baron Haller von Hallerxtein); Opatija was a relatively large settlement with about 120 houses, clustered mainly around plots further away from the sea coast and chiefly oriented towards fishing and seafaring. With the arrival of Iginio Scarpa, a patrician from Rijeka, and building of his summer house Angiolina (named after Scarpa’s then already deceased wife, originating from the Sartori family), Opatija opened her doors to a whole line of guests and passengers, among whom it is noteworthy to mention the Austrian empress Mary Ann, the botanist Heinrich Noë, the croatian ban Josip Jelačić and others who in their enthusiasm for the local vegetation and climate spread the fame about Opatija and thus prepared the ground for the future health resort. https://www.visitopatija.com/en/villa-angiolina-learn-about-the-role-of-tourism-in-the-history-of-opatija-p471

Rijeka is reflected in Korzo, at Korzo you can read Rijeka. Anyone who, at least once, had a coffee at one of the terraces of numerous and picturesque café bars lined along this unusual promenade, would agree. http://www.visitrijeka.eu/What_To_See/Korzo

City Tower, a symbol of Rijeka and a good example of a typical round tower access-point, which lead into the fortified town. Today it dominates the central part of Korzo, although during its lifetime it was overtopped by more recently constructed buildings. It was built in the Middle Ages, probably on the foundations of the Late Antique littoral town gates. Some baroque phases of its construction can be seen on the lower part of the front of the Tower, which are characterised by a richly decorated portal, an imperial coat of arms carved out of stone and relief of the Austrian emperors Leopold and Charles VI. Rijeka paid them special respect due to the maritime orientation they introduced into the state policies of the Austrian court. The Tower’s superstructure, on which a city clock has been situated since the 17th century, has been remodelled several times; most significantly at the turn of the 18th century under the guidance of municipal engineer A. Gnamb, the last time was at the end of the 19th century, based on a design by F. Bazarig. http://www.visitrijeka.eu/What_To_See/Monuments/City_Tower

Passing under the round City Tower, the former main medieval town entrance that gave access to the coast, you enter the centre of Rijeka’s Old Town. Located in the modern-day Ivan Kobler Square, there was once a more compact municipal centre called Placa, which served the significantly smaller fortified medieval town. The most knowledgeable historical interpretations of Rijeka Town present it as vertically elongated, framed to the north and south by the City Tower and the Town Hall, and to the east and west by chains of houses. The northern part of Rijeka was dominated by the lord's castle, the eastern part featured the main commoners’ church with a cemetery, to the west there was a spacious cloistered enclosure, and here, in the south quarter, near the embankment and the beach market under the town walls, there was the vibrant heart of the Town. There, the citizens of Rijeka would meet to listen to the proclamations of the Town Crier, seal contracts and buy and sell on the open market or in stores situated in the ground floors of houses. Only traces of those houses remain now, with several old walls integrated into more modern buildings, a baroque lintel with the former owner’s coat of arms and an arched underground corn house. In the near past was the former town “Greenmarket” where fruit and vegetables were sold. http://www.visitrijeka.eu/What_To_See/Architecture/Ivan_Kobler_Square

The museum is headquartered in the former Governor's Palace, a historicist edifice and protected cultural monument. The Governor's Palace was constructed in 1896 and designed by Alajos Hauszmann, one of the foremost Hungarian architects during the time when Rijeka was under Hungarian rule. Today, the palace houses the Maritime and History Museum of the Croatian Littoral, which was established in 1961 and comprises maritime, historical and cultural, ethnographic and archaeological departments. Some of the original items from the Governor's Palace, such as furniture and artisan craft-work, have been preserved and exhibited in salons on the first floor. The permanent exhibition of the museum provides an interactive and modern platform for showcasing the long, rich and tumultuous history and culture of living in the area of what is today Primorje-Gorski Kotar County from prehistoric times to the present day. The Lipa Pamti Memorial Centre (Lipa Remembers), which is dedicated to the victims of the Lipa massacre that took place on 30 April 1944, is also a part of the museum. In addition to its memorial heritage, the Memorial Centre interprets the entire cultural, historical and ethnographical heritage of the Liburnian Karst region (Rupa, Pasjak, Šapjane and Brce) from prehistoric times to the present day. http://www.visitrijeka.eu/What_To_See/Museums_and_Collections/The_Maritime_and_History_Museum_of_the_Croatian_Littoral_Rijeka

St. Vitus’ Cathedral is the only Baroque rotunda of monumental proportions built on Croatian soil. The construction of this church, designed by the Jesuit architect G. Briano, began in 1638. It was made on the model of the famous Venetian church of Santa Maria della Salute. http://www.visitrijeka.eu/What_To_See/Monuments/St._Vitus_Cathedral

Those who peek into Rijeka’s computer museum and poke through its past will be amazed by the speed at which our technological future has become our past. Under the name Peek&Poke, it is the first Croatian museum of computers and computer equipment. Its founders call it the Retro Computer Club. Opened in 2007, it welcomes its visitors with exhibits that date back to the 1960s. Some of the oldest exhibits include the pioneers of computer technology, such as Minivac (1961), the first big series personal computer (Apple II), the first affordable home computer (Sinclair ZX80), the first palmtop (Newton), the computer on which Andy Warhol made his art (Amiga 1000) and the great-grandfather of all modern personal computers - the original IBM PC. The museum holds a proof that Croatia was once a leader in one sector of this technology - the first European calculator, manufactured in 1971 in Buje in the Digitron factory, is exhibited here. The museum has over 2000 exhibits of international and Croatian computer, audio, video and photo technology. Located in the premises of 300 square meters in the city centre, it is one of the first 5 world museums on this subject and is also the largest exhibition of its kind in this part of Europe. http://www.visitrijeka.eu/What_To_See/Museums_and_Collections/Peek_and_Poke_Computer_Museum

The Trsat Castle represents a strategically embossed lookout on a hill 138 meters above sea level dominating Rijeka. It was mentioned as a parochial centre for the first time in 1288. At this same site there was a Liburnian observation post from prehistoric times, used for monitoring the roads leading from the hinterland to the coast. http://www.visitrijeka.eu/What_To_See/Attractions/Trsat_Castle

The Shrine of Our Lady of Trsat is the largest pilgrimage centre of Western Croatia. Its foundation is reported to be, according to tradition, related to the miraculous transport of the Nazareth Barn, and its stay on Trsat (1291 – 1294). Shortly after the relocation of the Mother of God’s house to Loreto, Prince Nikola I of Krk built the first small church on the place where the barn stood on Trsat. Marija`s Trsat became a pilgrimage point of convergence, the reputation of which was strengthened by the astounding painting of the Lady of Trsat, which was a gift given to the inconsolable Croats in 1367 by Pope Urban V for the loss of the Holy Barn. In the XV century, the Sanctuary was taken over by Franciscans, who have remained its guardians to the present day. On 8 June 2003, Pope John Paul II attended a long pilgrimage procession. http://www.visitrijeka.eu/What_To_See/Attractions/Shrine_of_Our_Lady_of_Trsat

Burano is amongst the main islands of the Venetian lagoon. At the moment about 3000 people live there and it is part of the municipality of Venice. It is linked to the smaller island of Mazzorbo by a small bridge. Just like Venice, it is divided into “Sestieri” (districts): San Martino Sinistro, San Martino Destro, San Mauro, Terranova and Giudecca (not to be confused with the homonymous island). The isle of Burano is famous for the lace working art, (a tradition since the XVI century), its bright multicoloured houses and for the culinary traditions. http://venice-tourism.com/en/places/island-lagoon/burano-island

The Dogi Palace represent the symbol and the hart of the political and administrative life of the Venetian Republic millenary history. In the halls of the palace the Doge and the council took all the decision about Venice and its life. http://venice-tourism.com/en/places/san-marco-district/dogi-palace-and-its-secrets

If you are in Venice you cannot miss the opportunity to visit St Mark’s Church, the famous San Marco Basilica. It is one of the most valuable treasures of history, art and faith in the world, located in St Mark's Square, the so-called ‘drawing room of Europe’. When you visit St Mark’s Cathedral you cannot avoid gazing at the vast amount of decorations, mosaics, architectonic structures, precious objects and sacred and allegorical images that adorn the church inside and outside. To face all this in the best way before delving into the details, it is important to let oneself be swept away by this abundance, which changes time after time depending on the lighting, one’s stance and many other details that all together turn San Marco Basilica into a constantly new and deep experience to live in Italy. A visit of St Mark’s Basilica means entering into an intricate world imbued with religion, art and sacred images that narrate in detail the history of Venice: the beauty of this place is nonetheless blindingly evident and one does not need to decipher it in order to appreciate it. https://www.venetoinside.com/attraction-tickets-in-veneto/tickets/skip-the-line-saint-marks-basilica/

St. Mark’ s Bell Tower is certainly one of the symbols of Venice, nicknamed “El Paron de Casa” (The Master of the House) . It is the highest building of the city, from the top of its 98.50 meters is possible to enjoy a 360° view of the city, a must if you're visiting Venice!!! http://venice-tourism.com/en/places/san-marco-district/saints-mark-bell-tower

Saint Mark’s Square is surely a place that can’t be missed, an exhibition of rare and unique beauty appear on a 360° view in front of the visitors, the Saint Mark’s Church, the bell tower, the “procuratie” and the Napoleonic wing, the clock tower and the two blacks. The Church, a Romanic Byzantine style was born initially as a mausoleum of the Patron Saint, it has 5 domes, marbles and mosaics to embellish the façade, inside, decorations and wall of golden leaf mosaics represents tales of the Patron Saint. The bell tower is the highest point of the city, 98.6 meters tall, from the top there is a unique and breathtaking view of the isle, it was originally built as a watchtower and a lighthouse in the IX century. Finally the clock tower, also a renaissance style palace, its arcade allow to enter into the square from the “Mercerie” so called because during the Republic there where many shops selling precious merchandise coming from distant ports. Today the Mercerie are site for various commercial activities, mostly murano glass shops and most modern cloth and gift shops. http://venice-tourism.com/en/places/san-marco-district/saint-mark%E2%80%99-s-square-360%C2%B0-view

It's probably the most famous island of the venetian Lagoon, it's composed by seven minor islands. It is well known worldwide for the art of blowing glass. All glass factories were moved to the island of Murano in 1295 to preserve the city from fires that often were caused by factories themselves. Murano was at first inhabited by refugees coming from Altino right after the barbarian invasion. Today it is completely urbanized and counts on 5500 inhabitant. Until 1171, when it was annexed to the Santa Croce district, the island was autonomous. In the year 1275 part of the autonomy was returned to the island's government, so they could promulgate laws and even coin their own money (the Osella). The autonomy of Murano was maintained also during the Austrian domination, that made of it a municipality. During the Austrian occupancy many churches and monasteries were sacked and destroyed so that only three now are left. The Murano municipality (that includes San’t Erasmo and Vignole islands) was suppressed in 1923 and the territory unified with the Municipality of Venice. http://venice-tourism.com/en/luoghi/island-lagoon/murano-island

The Fenice Theatre is one of the best known not just in Venice but worldwide. It was designed in 1790 by Giannantonio Selva commissioned by a rich and famous drama company. The building was subject of criticism mainly for the positions (in saint Mark’s area, campo San Fantin) and for its Neoclassic style. During the centuries it has been stage for many world premiere of operas become part oh the history, Gioacchini, Rossini, Verdi and more Donizetti, Bellini, Stawinsky… All of them gave their best creation on the stage of this great theatre. The theatre itself has been spectator of the city life, he known the Serenissima Republic, Napoleon, the Austrian empire, the reign of Italy and the Italian Republic. Actually the theatre hosts an important Operas Season, an International Festival of Contemporary Music and the new year eve concert. http://venice-tourism.com/en/places/san-marco-district/la-fenice-theatre

The Rialto Bridge is the first one built across the Grand Canal. In the beginning it was a wooden drawbridge to permit sailing ships to sail from St. Marks Basin to Piazzale Roma area. Only in 1588 the bridge was rebuilt in a sort of white marble called istrian stone, a trademark for most of Venetian artworks (an opera by Arch. Antonio da Ponte) until 1854 the only one spanning across the Grand Canal. It’ s 22 meters wide and 48 meters long a unique arcade 7,5 meters high, crowned by several smaller arcades it’ s crossed with three parallel staircases, The one in the centre has double arcades on both sides, shops and stores are host below the archway, on the niches. The Rialto area is well known for its famous market, open every day (Sunday closed), from San Polo area to the bridge. The market Is frequented mostly by venetian citizens, a continuous passage of people, boats and carriage of fruits, vegetables and fish make of it the most alive part of the city, many tipical trattoria and osterie, serving local wines and food can be founded around, simple but delicious dishes. Venetian called it “Erbaria” and sice ever it has been the main marketplace of the city, in the past ( now the wholesale market has been moved to another part of the city) dozen and dozen of boats loaded with all kind of goodies from the islands and mainland cultivations. http://venice-tourism.com/en/places/san-polo-district/rialto-and-its-market

In the heart of the modern city of Rimini you’ll find some of the best preserved domestic mosaics from the roman world – the so-called ‘Surgeon’s House’ (Domus Del Chirurgo). http://www.visit-rimini.com/general-sightseeing/domus-del-chirurgo-the-surgeons-house/

il Ponte di Tiberio, was started during the reign of Augustus, as part of his extensive series of public works for Rimini, but takes its name from Tiberius, the Emporor under whose reign the bridge was finished. Built in seven years, between 14 and 21.AD. http://www.visit-rimini.com/general-sightseeing/il-ponte-di-tiberio-the-tiberius-bridge/

The Tempio Malatestiano, or the church of San Francesco as it was correctly known up until the nineteenth century, is perhaps the most important monument in Rimini, and certainly one of the best preserved. http://www.visit-rimini.com/general-sightseeing/tempio-malatestiano/

As the abbey of Santa Giustina, to which was added in the fifteenth century, the Praglia Abbey has enjoyed various events. Founded in the eleventh century, it was built in fief by Emperor Frederick II in the thirteenth century. Subsequently independent, then in, and finally added to Santa Giustina until 1810 when Napoleon suppressed. http://www.turismopadova.it/en/node/18002

Zadar has a unique combination of architecture and music, the wordly known Sea Organ. It is located next to the installation Greeting to the Sun, and it represents an organ whose sound is produced under the influence of the energy of the sea, rather waves and tides. The Sea Organ has been gently formed out of stone and returned to the sea. It stretches out on a surface of seventy meters of Zadar's coast, under which on the level of the lowest seated 35 pipes of different lengths, diameters and descent are installed. When the most beautiful sunset illuminates the waterfront, the play of light of the Greeting to the Sun accompanies the rhythm of waves and the sounds of the Sea Organ. https://zadar.travel/attractions/attractions/sea-organ

The forum in Zadar has been built by the first Roman emperor Gaius Julius Caesar Octavian of what the inscriptions in stone dating back to the 3rd century give evidence when the construction came to an end. It was once closed by a portico with galleries on the first floor, and under the portico there were shops. Since the first century B.C. the forum has been the main gathering place for Roman soldiers, religious people, bureaucrats of the Republic and later of the Empire, as also for traders and all Zadar citizens in ancient times. In the time of its full glory, the forum was surrounded from three sides by a magnificent portico. It is indispensable for a walk and also one of the symbols of the city. https://zadar.travel/attractions/attractions/forum

On the glass face of the Archeological Museum in Zadar, you can see the reflection of the Forum and Saint Donatus, with which the Museum is unbreakably connected. Since 1880 works of protection and restoration have been done in Saint-Donat with the idea to place the Archeological Museum in it. The Archeological Museum is the oldest museum in Zadar and the second oldest in Croatia. It was founded in 1832., and today it keeps more than 100.000 archaeological objects from all the cultural and historical periods from the Paleolithic to the end of 11th century. The museum has its journal and for almost 60 years in a preparatory workshop, it has been producing hand-made souvenirs- amphoras, recipients, fibulas (brooches), jewellery and other valuable museum material. https://zadar.travel/attractions/museums/archeological-museum

Zadar City Museum was founded in 1960 and in 1962 it was integrated into the National Museum Zadar under the name the Cultural-Historical Department. Zadar City Museum is located in the building which up to the time of Napoleon was the monastery of St. Krševan. http://nmz.hr/en

From the most ancient times in Zadar as the Via Magna, Strada Grande or Ruga Magistra, Kalelarga of Zadar is the main street of the city. For the inhabitants of Zadar, it is even more than that; it is the main urban artery, a cult space and the symbol of the city to which the most beautiful souvenirs are connected to. In Zadar, it is officially called Široka ulica (Wide Street) (Calle Larga, Kalelarga), and it was sung about in many songs like no other street or symbol of the city. It has its anthem, it is the place of every serious city gossip or news. On the Kalelarga and the neighbouring People's Square great sport successes of Zadar's clubs are awaited and celebrated, as with the first-morning coffee, former loves are gently mourned. https://zadar.travel/attractions/attractions/kalelarga

The Croatian National Theatre has its ensemble that was founded 14 years ago when it starts with professional productions with Zadar acting forces. It has a prepaid and not prepaid programme as also the Zadar Theatre Summer. Croatian medieval liturgical dramas and liturgical games have been performed in Zadar already in the 11th century, so it is since then that begins the history of Croatian theatre. The first modern theatre dates back to the year 1783 (Nobile Teatro), while the New Theatre from the year 1865 was the most beautiful theatre building in Zadar. The first professional theatre from 1945 carries the name National theatre (Narodno kazalište), and today Croatian National Theatre (Hrvatsko narodno kazalište) Zadar. The total percentage of visits to its programmes is 85 per cent. https://zadar.travel/attractions/attractions/croatian-national-theatre