Architecture, Toulouse

Millau viaduct holds the world record for the tallest bridge, culminating at 343 metres (higher than the Eiffel tower), 2460 metres long and touching the bottom of the Tarn valley in only 9 places. Conceived by the French engineer Michel Virlogeux and designed by the English architect Lord Norman Foster, it fits perfectly into the naturally intact and grandiose landscape: a very thin slightly curved steel roadway supported by stays gives it the appearance of a huge yacht and the ensemble rests on 7 very slender pillars. This unique viewing area, created in the old cassonade farm of Brocuéjouls, is the ideal place for discovering Millau viaduct, the Aveyron, its cultural and natural heritage and the local gastronomy. Both a “viewing area” and “tourist information centre”, it also offers a “gastronomical area”. Take a few minutes to climb to the belvedere viewing point from where you can admire the sublime and panoramic view of the viaduct. You can then taste, amongst other things, the famous “capucins” made by the Michelin starred chef Michel Bras in the gastronomical area or learn all there is to know about the viaduct and its construction in the Eiffage company Expo/Boutique area. https://www.tourisme-aveyron.com/en/millau-viaduct/discover-millau-viaduct

Square tower from the end of the 12th century, erected for the king of Aragon Alphonse II, surmounted in the 17th century by an octagonal tower intended to receive the communal drone and the clock. 42 meters high, 210 steps to climb to reach the summit and admire the panorama of the city and the surrounding causses. Last climb, 1/2 hour before closing. Out of season open for groups by reservation. https://www.millau-viaduc-tourisme.fr/planifier/voir-et-visiter/toutes-les-visites/beffroi-de-millau-tour-des-rois-d-aragon-185431

In the centre of Millau, a town hotel from the 18th century houses the museum: 30 exposition rooms dedicated to palaeontology, prehistory and regional archaeology, as well as traditional activities of leather craft and glove-making. Palaeontology: diverse fossils including the famous skeleton of an elasmosaur. Pre-history: furniture from the palaeolithic to the monolithic. Archaeology: the most important collection of vases from the Roman Empire with the production of the Graufesenque workshops. Leather and gloves: a DVD film retraces the specific savoir-faire, rich of ancestral traditions and modern techniques enabling skins to be worked on. A recreated workshop shows how gloves were made. Free for the individuals the first Saturday of the month. https://www.tourisme-aveyron.com/en/diffusio/sites-visit/musee-de-millau-et-des-grands-causses-millau_TFO18801517986

Probably built on the site of an ancient Roman villa, constant attacks led to the fortification of the village in a circular form. http://uk.beziers-mediterranee.com/beziers-uk/principal-uk/discover/countryside-and-vineyards/boujan-sur-libron

One of the legends attributed to Sant Jordi, which rapidly became the most famous, tells of a dragon who scared the inhabitants of a city. To calm it down, a lamb and a young girl chosen at random had to be offered every day. http://www.perpignantourisme.com/gb/decouvrir/perpignan-catalane/sant-jordi-et-sant-joan#sthash.x611XTzR.dpbs

When one gets to place Sainte-Anne (Sainte Anne square), one is surprised by the majestic Sainte-Anne Church (whose bell tower can be seen from anywhere in the city). http://www.montpellier-france.com/offre/fiche/place-sainte-anne/PCULAR034V50LMS4

The Fabre museum itself is an astounding work of art, an innovative combination of classic and contemporary architecture. Today, the museum offers over 800 works, 900 engravings and 3,500 drawings in its 9,200 m² exhibit area. http://www.montpellier-france.com/offre/fiche/fabre-museum/PCULAR0340000045

Place de la Comédie is Montpellier's central square. Also known as l'OEuf (the Egg) because of its original oval shape, it is one of the largest pedestrian areas in Europe. http://www.montpellier-france.com/offre/fiche/place-de-la-comedie/PCULAR034V50LIGI

Imbued with a long history, the Porte Cailhau offers a magnificent view of Bordeaux. Despite its age (just imagine – it dates from 1494!) this large, beautiful monument remains practically unchanged. It was built to commemorate Charles VIII's victory at Fornovo (Italy). This French king has left his mark on the tower since his likeness decorates a niche on the river side and a notice ask visitors to pay attention to the lintel and reminds them that Charles VIII died from walking quickly into just such a lintel... The Port Cailhau, thirty-five metres tall, was integrated into the city walls. In 1864, it was rented by a public letter writer and a person whose job was to weigh salt. They were both evicted in order to renovate the monument. There is a magnificent view of the oldest bridge in Bordeaux, the Pont de Pierre, from here. An exhibition displays the tools and materials used for construction purposes at the time the Porte Cailhau was built and an audio-visual presentation pieced together from old films immerses us in the world of stone masonry. https://www.bordeaux-tourism.co.uk/offre/fiche/porte-cailhau/PCUAQU033FS00044

Place de la Bourse has symbolised the city of Bordeaux around the world for centuries and played a major role in the city's development, trade, and reputation. Both the Bordelais and visitors alike adore this very elegant square. It took 20 years of hard work in the 18th century to build what has since become the city's very symbol! The square represents a break with medieval Bordeaux surrounded by walls for centuries. The city was finally free to grow! Intendant Boucher had tried to convince the town aldermen and the parliament to create the square and open up the city walls since 1720. He decided to entrust Jacques Gabriel, Louis XV's "First Architect" with designing this rectangular square with bevelled corners, as well as constructing the famous buildings decorated with mascarons and wrought iron. The buildings framing this place royale consist of the Hôtel des Fermes, built by Gabriel's father, followed by the Hôtel de la Bourse built by Gabriel himself, and the isolated central pavilion (1735-1755). Place de la Bourse was originally separated from the river by railings, but these disappeared during the French Revolution. The equestrian statue of the king was briefly replaced by one of Napoleon, followed by the Fountain of the Three Graces in 1869… https://www.bordeaux-tourism.co.uk/offre/fiche/place-de-la-bourse/PCUAQU033FS00043

Situated to the south-east of the chevet of the Cathedral of Saint-André at Bordeaux, the tower of Pey-Berland serves as its bell tower, built in the 15th century in the Gothic style. http://au.france.fr/en/discover/tower-pey-berland-bordeaux-0

Since June 1, 2016, Bordeaux has a contemporary monument, which illustrates the city's dedication to the fruit of the vine: La Cité du Vin.The purpose of this museum is to create a space where sensory experiences are centered wholly around wine. This site is fully dedicated to this "nectar," as a living piece of French history and culture http://au.france.fr/en/discover/visit-cite-vin-bordeaux-0

Of all the public buildings in Bordeaux, the Grand-Théâtre is unquestionably the most well-known and appreciated. It stands on the site of a former temple (Les Piliers de Tutelle) that was once in the middle of a Gallo-Roman forum. The Grand Théâtre's construction was made necessary by the destruction of a performance hall in 1755. The latter was located in the outbuildings of the former town hall, near the Grosse Cloche. Architect François Lhote, assisted by Soufflot, initially proposed a project that was not accepted by the city aldermen. Eventually, Marshal de Richelieu, governor of the province of Guyenne, imposed the Parisian architect Victor Louis (1731-1800). In order to pay for the construction, the land located on the southern glacis of the Château Trompette was sold. It took more than five years to build the Grand Théâtre and, after many vicissitudes, it was inaugurated in 1780 with a performance of Athalie, a play by Jean Racine. The rectangular-shaped structure opens up onto Place de la Comédie to the west with a peristyle featuring 12 Corinthian columns supporting an entablature and a balustrade decorated with 12 statues (the nine muses and three goddesses). At the beginning, this peristyle was on the same level as Place de la Comédie. However, in the mid-19th century, it was decided to lower the level to make it easier for horse-drawn carriages to cross. The Grand Théâtre was nevertheless innovative, and Victor Louis imagined a clever oblique arrangement of stones maintained by a metal tie beam at the angles of the peristyle in order to support them. This ingenious combination became known as "Victor Louis's nail". https://www.bordeaux-tourism.co.uk/Discover-Bordeaux/Must-See/Opera-House

This is an old Gothic building which dates back to the 13th and 14th century. Its altarpiece is a superb example of Spanish Renaissance sculpture carved in alabaster by Damián Forment between 1520 and 1533, representing the Passion of Christ. http://www.huescaturismo.com/en/monumental-detalle/7/the-diocesan-cathedral-museum/

This splendid old Aragonese Renaissance palace with imposing towers on either side, a wooden roof and imposing staircase forming a beautiful gallery, dates back to the 16th century. Inside the Court the old wooden roof and ceiling can be observed which continues into the old Hall of Justice housing the painting by Jose Casado del Alisal, dating back to 1880 and depicting the infamous legend of the Bell of Huesca. To the right of the City Hall is the old Imperial College Santiago, founded in 1534, which was once part of the most prestigious University of Huesca for over three hundred years. http://www.huescaturismo.com/en/monumental-detalle/10/city-hall/

La Llotja is a monolithic construction, subdivided into three functional levels allowing it to serve different purposes. The central level is the interconnecting core, linking up the various programmes by means of the central stairway/ramp, which also provides illumination. http://www.turismedelleida.cat/viure-a-lleida-en/la-llotja-de-lleida

With the conquest of the city of Lleida in 1149, the Templars received various properties in compensation for their assistance during the siege, including Gardeny Hill. The earliest reference to the Gardeny Command dates from 1156, the first commander being listed as Brother Pere de Cartellà, a figure who had been actively involved in the city siege. http://www.turismedelleida.cat/viure-a-lleida-en/el-castell-de-gardeny

This Baroque bell tower has an eight-sided floor plan and consists of four different sections, the first three made of stone and the upper one made of fired brick. There are three bells, two of which are liturgical and the third one tells the time; the decoration, executed by the artist, Joan Vila Cinca is particularly beautiful. At the very top of the bell tower, there is an angel that acts as a weathercock and two-time bells. Inside, you can visit a small exhibition featuring the building, the bells, and the last clock that made them work, built in 1903. And from the top of the bell tower, visitors can have a splendid view of the city and its surroundings. http://www.sabadell.net/Eng/Tourism/p/patrimoniurba_eng.asp

The Maison Carrée – the only fully preserved temple from Antiquity – has recently been restored. Inside you can watch the film the “Nemausus, the birth of Nîmes”, that presents the Imperial cult and the heroic past of Nîmes and its surroundings. http://ca.france.fr/en/discover/amphitheatre-nimes-maison-carree-tour-magne

The Roman amphitheatre (or arena) in Nîmes is the best-conserved of the Roman world. It was used for hunting wild animals and for gladiator combats from the end of the first century AD onwards. Many events are held there today. http://www.ot-nimes.fr/index.php?id=40&L=1

The park covers a surface area of 17 hectares and gives Nou Barris a pleasant, modern appearance in keeping with the residential area where it is located. It blends in perfectly with the site and its undulating landform has a lot of surprises in store. http://www.barcelonaturisme.com/wv3/en/page/524/parc-central-de-nou-barris.html

Limoges's central market hall was built between 1885 and 1889. It is a remarkable example of 19th century architecture. The metal framework's triangular shapes each weigh 14 tonnes. It was designed by two engineers, who studied the Eiffel technique: Levesque (who spent a long time working with the manager of the Eiffel-Seyrig studies) and Pesce. http://www.limoges-tourisme.com/en/What-to-see/Monuments/(fiche)/the-central-market-hall-191000045-1714dde

Park Guell is one of the most fantastic designs ever built by Gaudi. A landmark on its own, it features amazing views of Barcelona and plenty of modernist works. Needless to say, as soon you pass the entrance, you’ll notice right away that this isn’t an ordinary park. Curiously, Park Güell wasn’t originally intended to be a park, but rather a project for luxurious homes. In 1900, the site was just a rocky hill with nothing but vegetation around, in the vicinity of some isolated upper class country houses. The result was one of the most fascinating works by Gaudí. The intention of the project was to take advantage of the breathtaking views of Barcelona and the clean fresh air, away from the factories, in order to build a top of the line housing complex. In Park Guell, there are plenty of paths and vegetation to enjoy, but the architectural structures are the glue that holds the whole place together. https://barcelonando.com/parc-guell

The Sagrada Familia is definitely the most famous building in Barcelona. Considered one of Gaudi’s masterpieces, it’s a key attraction in Barcelona and one of the most striking monuments ever built in the world. In fact, there is absolutely no other building in the world featuring such a genius mixture between Gothic and Art Nouveau styles. Antoni Gaudí took over the project in 1883, a year after construction had begun, and completely reshaped the project to fit his unique style. Unfortunately, Gaudí died in 1926 when only a quarter of the project had been constructed. Sadly, most of the blueprints left were burned in a fire, therefore, all that’s been built ever since has been a wide interpretation of Gaudi’s architecture. Stopping over the Sagrada Familia should be top priority if you’re in Barcelona for the first time. Visiting the basilica it’s an enjoyable experience and a great way to be introduced into Gaudí’s architecture. Besides, it offers the best possible views of the surrounding Eixample District, Barcelona’s own Big Apple. https://barcelonando.com/sagrada-familia

Imagined by Bernard Tschumi, this building made of Limousin Douglas pine wood and wrapped in polycarbonate fits perfectly, thanks to its transparency, into the surrounding forest. With a welcoming capacity of 6,000 seats, it is dedicated to the great artistic and cultural events of the city. http://www.limoges-tourisme.com/en/What-to-see/Monuments/(fiche)/zenith-191003273-01bec22

Casa Batllo is one of Barcelona’s biggest landmarks. If buildings could be celebrities, there would be a perpetual red carpet in front of it. The remarkable facade it’s the most prominent feature and it has been subject to many interpretations. Originally, Gaudí didn’t build Casa Batlló. He was hired to redesign the late 1800’s building in 1904, and the result was one of his most emblematic works in Barcelona along the Sagrada Familia. The building was transformed into one that hardly resembles the original. Animal and nature forms inspired the facade of Casa Batlló. For example, the skull shape of the balconies. As beautiful as is the outside, you must schedule a visit to the interior to witness the most original and jaw-dropping architecture. To begin with, a good part of the outside is covered with bits and pieces of broken and multicolored ceramic tiles, a technique called Trencadís, which was used massively by Gaudi in most of his works, visible for example in the Park Güell benches. An interesting effect is created when direct sunlight hits the building, as the tiles shift through different shades of colors along with the stained glass windows. https://barcelonando.com/casa-batllo

This amazing building, the Casa Amatller by Puig i Cadafalch, a contemporary of Gaudí, which combines the neo-Gothic style with a ridged façade inspired by houses in the Netherlands, is part of the block known as the "mansana de la discòrdia" of Barcelona. http://www.barcelonaturisme.com/wv3/en/page/1197/casa-amatller.html

The Puy-en-Velay Cathedral, listed as a UNESCO World Heritage Site since 1998, ranks as the 2nd favorite monument of the French in the show presented on France 2 by Stéphane Bern in 2015. After a first church built in the fifth century, the cathedral was built on Mount Anis. In the twelfth century, the influx of pilgrims led to sit four spans above a vaulted porch, to compensate for the slope of Mount Anis. The entrance was made by a staircase which opened in the middle of the central nave. In the nineteenth century, the building was considerably transformed, but the six cupolas and beautiful painted decorations were preserved. From 1994 to 1999, an overall restoration allowed the restoration of the central staircase closed in the eighteenth century, the repair of interior facing and the winding of the organ with its double-sided buffet of the seventeenth century. A new altar was placed at the crossing of the transept, while the altar of the "pilgrims", against the wall, carries the "Black Virgin" who replaced the primitive statue, burned to the Revolution. https://www.lepuyenvelay-tourisme.fr/monuments-puy-en-velay/cathedrale-notre-dame/

North of the town of Le Puy-en-Velay, Aiguilhe is famous for its rock (a dormant volcanic pipe) with an astonishing and magnificent chapel dedicated to St Michael built in the 10th century. This is one of the most important pre-Romanesque and Romanesque monuments in Auvergne. Prosper Mérimée included the building in the first list of Historic Monuments drawn up in 1840. More recently, it came fourth in the list of French people’s favourite monuments in 2014. Godescalc, the Bishop of Puy, and Truannus, the dean of the chapter of Puy Cathedral, commissioned work on a chapel devoted to St Michael in 961. Godescalc was also the first French pilgrim to follow the Way of St James in about 950, inaugurating the "Via Podiensis" trail to Santiago de Compostela. The original oratory in this imposing structure was limited to today’s choir area. It was enveloped in a larger monument in the 12th century, built to follow the outlines of the rock’s summit. The extended chapel was built without foundations, and contains a nave, an ambulatory and a tribune, along with a remarkable polychrome and trefoil-shaped facade. https://www.lepuyenvelay-tourisme.co.uk/monuments-puy-en-velay/rocher-et-chapelle-saint-michel-daiguilhe/

El Palau de la Musica Catalana is the most famous concert halls in Barcelona. Squeezed between the narrow streets of La Ribera neighborhood, is one of the most fantastic buildings of the Modernista movement. https://barcelonando.com/palau-de-la-musica-catalana

Собор недалеко от квартиры, где мы жили в Барселоне. Официально он называется длинно - Собор Святого Креста и Святой Евлалии На крышу собора можно подняться, и оттуда открывается неплохой вид на город

The Gothic Quarter is one of the most famous landmarks in Barcelona. Located in the heart of the old city, this neighborhood features a fusion of buildings dating from Roman times to the 20th century. The main attribute of the Gothic Quarter is the antique aspect of its buildings, narrow streets and the near absence of traffic. In fact, many areas are for pedestrians only and built like a labyrinth of winding streets and hidden squares. https://barcelonando.com/barri-gotic-gothic-quarter

Construction was begun by Charles the Noble in 1397 on a 12th-century Romanesque building, and was completed in 1501. The high altar is crowned by a figure of the Virgin of Santa María la Real, in front of whom the kings of Navarre used to swear their oaths. http://www.spain.info/en_IN/que-quieres/arte/monumentos/navarra/catedral_de_pamplona.html