Churches, Kastoria

Set amidst lush verdure where the River Crn Drim tumbles into the lake, the monastery of St. Naum is a refuge of tranquillity at the very southwestern corner of the Macedonian Republic. Situated 29 km (18 m) from the town of Ohrid and only 1 kilometre (0.6 m) from the Albanian border, the monastery brings the Macedonian experience to a dramatic culmination. As with most Byzantine churches, St. Naum was chosen primarily for its location – on a high, rocky outcropping over the lake, above deep forests and life-giving springs of the river Crn Drim. The monastic complex and church of St. Naum was built originally at the turn of the tenth century by the monk that bore the same name; Macedonians believe you can still hear the saint’s heartbeat by pressing an ear to his stone coffin inside the church. The monastery has been renewed and enlarged several times over the centuries. While most of its iconostases and frescoes date from the 16th and 17th century, earlier etchings in the Byzantine Greek vernacular also remain. But numerous orthographical mistakes indicate that they were written by Slavic-speaking local monks. Other inscriptions in the church make up some of the oldest epigraphic evidence of Slavic literacy. The icons of St. Naum are some of the best religious painting achievements in the Balkans. They date from the first half of the 18th century. The wood-carved iconostasis itself was made in 1711 by an unknown artisan. A peculiar element of St. Naum is located not on the inside of the church but on the outside: the preponderance of multi-coloured peacocks strutting around and luxuriating in the grass. http://www.exploringmacedonia.com/monastery-st-naum.nspx

The church of St. Sofia is one of the largest medieval churches on this territory. For a long time, it was the cathedral church ("Great Church") of the Ohrid Archiepiscopate whose ecclesiastical authority covered the territories up to the river Danube to the north, the Albanian coast to the west, and the Bay of Thessalonica to the east. The church was probably used as a cathedral way back in the past, in the period of the Car Samuel who, in the late X century, moved his throne from Prespa to Ohrid. The other assumption is that there used to be another church on the same site during the reign of the Macedonian Czar Samuel and that later on this church was ruined for unknown reasons. The date of the construction of that church is uncertain because there are no inscriptions that help reveal it. It is also mentioned that today's church was either built or restored during the period of the Archbishop Leo who was on the throne of the Church in the period between 1035-1056. His esteemed ecclesiastical principle became a donor of the painting decorations in the church of St. Sofia. The original church had only one main dome. In the XIV century, an opulent external narthex was constructed. Its original shape was a three-naval basilica with a transept, a dome, and galleries on the side naves. It had a parvis and separate chapels above the northern and southern altar sections even in XI century. Almost three centuries later, during the period of the Archbishop Gregorius, a new parvis was built. It represents the climax of the Macedonian XIV-century culture. The concept of the extended parvis was horizontal, with a portico on the ground, and galleries on the first floor. Above the Gregorious Gallery, on the northern and southern sides, there were separate sections with towers. With the arrival of the Turks, the church St. Sofia was converted into a mosque. They "took care" to reshape the church almost entirely so that it could serve the Muslim religion. The frescoes were whitewashed, the ornamented plates from the iconostasis were used for constructing the internal staircase, and a minaret was built above the northwest dome. These undertakings distorted the structure of the entire church. In the period from 1950 to 1957 extensive conservatory and restoration activities were performed. The frescoes were cleaned and conserved, and also some reconstruction work was done. The fresco paintings in the church are amongst the highest achievements in medieval painting in Macedonia and even wider. At that time Ohrid was under the direct authority of the Constantinople Patriarchate, so these are the most important preserved works of Byzantine monumental painting. The donor of the fresco paintings, one of the most learned men of the time, Archbishop Leo, directly influenced the selection of the compositions painted in the XI century. http://www.exploringmacedonia.com/church-st-sophia.nspx

One of the most magnificent churches in all of Macedonia stands right above a small fishing settlement, on a cliff rising up from Lake Ohrid; St. Jovan Kaneo is a combination of Byzantine and Armenian architectural styles. Built in the honour of St. John the Theologian, St. Kaneo with its sublime atmosphere and views of the placid lake below, remains an inspiring place for spiritual contemplation. The church which was consecrated at the end of the 13th century was built on a rectangular stone base. Its exterior is decorated with ceramic decorative sculptures and stone carvings. Though the fresco painters are unknown, the fragments that have been preserved are of exceptional quality; the Communion of the Apostles and the portraits of St. Clement, St. Erasmus and Constantine Kavasilas especially stand out. Being as it is - an extraordinarily unique construction - St. Kaneo is indeed one of the most beautiful churches in Macedonia as well as in the whole Balkan region. http://www.exploringmacedonia.com/church-st-jovan-kaneo.nspx

The Panaghia (Virgin) Chalkeon (1028), Hosios David (12th century), St Panteleemon (late 13th or the early 14th century), is of four-columned cross-in-square type, Ayioi Apostoloi (1310-1314),Taxiarches (14th century), Panagouda a three-aisled basilica with significant icons, Agios Ioannis Prodromos (Nymphaion),Vlatadon monastery a 14th century foundation of which only the katholikon and two cisterns within the precinct survive, Ayios Demetrios a splendid basilica dedicated to the patron saint and protector of the city, etc. http://www.visitgreece.gr/en/main_cities/thessaloniki

Tirana’s Resurrection of Christ Orthodox Cathedral is not just a Cathedral. It is the third-largest such structure in the Balkans and is located close to the centre of Tirana. The construction of the building, south-west of Tirana Centre Plaza, was completed in 2012. The cathedral complex comprises the cathedral itself, the chapel of the Nativity, bell tower, the residence of the Holy Synod, cultural centre, a library, two other chapels and a small museum. The cathedral's dome reaches 32.2 metres above ground, with the bell tower reaching 46 metres. Following its construction the cathedral has become a major tourism attraction in Tirana http://www.visit-tirana.com/things-to-do/attractions/22/resurrection-of-christ-orthodox-cathedral-of-tirana

The Holy Trinity Church and especially its tall belfry have become a symbol of Bansko as one of the most attractive mountain resorts, successfully combining the charm of its rich historical past and its picturesque location at the foot of the mighty Pirin Mountain with the most modern facilities for recreation – a wide choice of reputable hotels for all tastes and budgets, one of the best ski zone in South-East Europe. The Church dedicated to the Holy Trinity was built in the period of the Bulgarian National Revival. Its inauguration was made in 1835. The architectural plan of the church is a three-nave basilica or more exactly a pseudo-basilica with 44 m length, 22 m width and 12 m height. The walls are 1.1 m thick and entirely constructed of local ashlar, welded together by mortar. Large wooden beams of centuries old white fir (typical for the region) are used in the foundation and for leveling the walls. Part of the church is sunken under the ground level in order to look smaller from the outside and Turks can not get an idea about its real size. The altar piece is set within a skillfully constructed and decorated apse in the form of the half of a 18-angle prism with a remarkable stone cornice on the exterior. The roof is hold in the interior of the church by 12 massive wooden columns of white fir, symbolizing the 12 apostles. http://bansko-guide.com/attraction/holy-trinity-church/

Panagia Eikonistria is the most holy site of the island since the miraculous icon of Virgin Mary (Panagia) was found here around 1650. An important intellectual figure of the island and of the Church, Dionysios the Old, was a monk in this monastery. http://www.skiathos.gr/en/aboutskiathos/churches/panagia-eikonistria.html

The Church of Santa Maria delle Grazie, is a interesting frescoes and works sculpted in wood. http://www.italia.it/en/discover-italy/apulia/lecce.html

The oldest and best preserved monument of architecture since Roman times in Sofia is the rotunda church St. George. It was built in the beginning of the 4th century AD and, was considered, during the reign of the roman emperor Constantine the Great (reigned 306 – 337) and the flourishing of the ancient town Serdika (the old name of Sofia). It is believed that the rotunda is the oldest building in Sofia. The temple is situated in the courtyard of the Government Office, just a couple of meters of the remains of the ancient fortress Serdika. It is a cylindrical domed structure, built on a square base. Its width is about 9.5 meters in diameter and its height is about 14 meters. The altar room has a square form and four symmetrically placed niches. The main entrance is at the western wall. Originally the building was used for public purposes. After the recognition of Christianity as a religion in the Roman Empire, the rotunda became a baptistery (a building for conversion to Christianity), due to the many conversions, following the authorization of this religion. http://bulgariatravel.org/en/object/234/sofia

The Old Synagogue in Dubrovnik, Croatia is the oldest Sefardic synagogue still in use today in the world and the second oldest synagogue in Europe. It is said to have been established in 1352 but gained legal status in the city in 1408. Owned by the local Jewish community, the main floor still functions as a place of worship for Holy days and special occasions, but is now mainly a city museum which hosts numerous Jewish ritual items and centuries­old artefacts. Located in one of the many tiny streets of the Old Town of Dubrovnik, it is connected to a neighbouring building which has long been owned by the Tolentino family, who have been caretakers of the synagogue for centuries.[2] The internal layout is different from other European synagogues and has gone numerous refurbishments throughout the centuries, and has a mixture of designs from different eras. The building has sustained damage several times, with the great earthquake in 1667, World War II, and the Croatian War of Independence in the 1990s. The damage has since been repaired as closely as possible to its original design, and the synagogue reopened in 1997. The small museum contains many artifacts from throughout the Jewish community’s history in the city. https://www.godubrovnik.guide/dubrovnikthingstodo/jewish-synagogue/

The Franciscan Church and Monastery is a large complex belonging to the Order of the Friars Minor. It consists of a monastery, a church, a library and a pharmacy. It is situated at the Placa, the main street of Dubrovnik, Croatia. Church and bell tower of the Franciscan church The earliest monastery was built in the 13th century outside the walls. A new monastery inside the walls and close to the Pile Gate, was built in 1317, but its construction took centuries. Parts of the complex were rebuilt several times. The church was destroyed by the earthquake of 1667. Amongst the losses was a statue by Pietro di Martino da Milano. The only element remaining is the decorated portal overlooking the beginning of the Placa, the main street of Dubrovnik. It was sculpted in 1498 in Gothic style by the workshop of the brothers Leonard and Petar Petroviċ. The almost life-sized Pietà in the central lunette, decorated with flamboyant leaves, is flanked by the figures of St. Jerome (holding a model of the pre-earthquake church) and St. John the Baptist. On top of the lunette stands the figure of the Father Creator. The interior of the church was reconstructed in Baroque style with a single nave. The marble pulpit survived the earthquake of 1667. The main altar with the statue of the resurrected Christ between four twisted marble columns was created by the sculptor Celia from Ancona in 1713. The five side altars were sculpted by the Venetian Giuseppe Sardi between 1684 and 1696. The decorations on the altar of St. Francis were painted in 1888 by the painter Celestin Medovic. The poet Ivan Gundulić is buried in this church. The monastery was built in 1360 in late Romanesque style by the master Mihoje Brajkov of Bar. https://www.godubrovnik.guide/dubrovnikthingstodo/franciscan-church-and-monastery/

St. Mark’s Cathedral is probably the most important building in the Korcula Old Town. It is built in Gothic-Renaissance style, completed in the 15th century at the place of other church from 13th century. It was built by local masters and craftsman of stone masonry, very well known in renaissance and baroque Dubrovnik and Venice. Most famous among them was stonemason Marko Andijic who completed the cathedral’s tower and cupola (1481) as well as elegant ciborium above the main altar. Cathedral’s facade is decorated with the truly beautiful fluted rose and various relief and statues (photos), while the main door – portal is framed by statues of Adam and Eve and figures of lions. Inside the Cathedral there are two Tintoretto’s paintings. This is the largest Church in the city, oriented east-west. Here on the highest point on the peninsula and central square was a smaller Church most likely consecrated to the Mother of God. https://www.korculainfo.com/st-marks-cathedral/

Gazi Husrev Bey’s Mosque, or Bey’s Mosque, as it is known locally, was built in the center of Baščaršija in 1530. Bey’s Mosque was designed by Adžem Esir Ali, a Persian from Tabriz, who was the chief architect in the Ottoman Empire at that time. Today, this mosque is rightly seen as the most important architectural monument from the time of Ottoman rule in Bosnia and Herzegovina. There are many Bosnian leaders buried in the mosque’s courtyard, including Reis-ul-Ulema, Mehmed Džemaludin Čaušević; the politician, Dr. Mehmed Spaho; the reformer, Ali Bey Firdus; the poet, Safvet Bey Bašagić. https://sarajevo.travel/en/things-to-do/gazi-husrev-beys-mosque/176

The Cathedral of Jesus’ Sacred Heart was built in 1889 in the Neo-Gothic style and is the seat of the Archdiocese of Vrhbosna. The interior of the church is richly decorated and it was the famous Italian-German painter, Alexander Maximilian Seitz, who did the frescos. The Cathedral of Jesus’ Sacred Heart also houses the tomb of Josip Stadler, who served as Archbishop of the Archdiocese of Vrhbosna at the beginning of the 20th century and initiated the cathedral’s construction. There is also a statue in front in honor of Pope John Paul II, who visited Sarajevo in 1997, soon after the war had ended, to send a message of peace and tolerance from BiH’s capital city. https://sarajevo.travel/en/things-to-do/the-cathedral-of-jesus-sacred-heart/78

The Holy Forty Martyrs church was built and decorated with murals by the will of the Bulgarian tzar Ivan Asen II, to commemorate his victory over the king of the Epirus kingdom Theodor Comnenus in 1230. In the middle of the XIII century, around the church was erected the royal monastery of the Great Laurel. The church became a centre of a series of important events and its nave comprises the most significant tokens of the Bulgarian history – the columns of khan Omurtag (815 – 831), of khan Krum (803-814) and of Ivan Asen II with inscriptions on them. During archeological researches were unearthed the tombs of significant medieval persons. The biggest interest drew the grave the Bulgarian king Kaloyan, who was assassinated during the siege of Thessaloniki in 1207. After his death his body was solemnly carried to capital, where he was buried with honours. In the church were also the graves of one of the greatest Bulgaria’s rulers – Ivan Asen II and his wife Anna – Maria. The church was the place where the relics of St. Sava of Serbia and St. Ilarion of Muglen were kept. Consequently the body of St. Sava was transferred to Serbia but his grave is still an attractive point for pilgrims. One of the most important events held in the church was the pronouncing of the Bulgarian independence on the 22nd of September, 1908. http://www.velikoturnovo.info/en/churches/i13/Holy-Forty-Martyr%E2%80%99s-church-and-the-Great-Laurel-Monastic-Complex.html

The Cosuna – Bucovatu Vechi Monastery is an orthodox monastery situated in Craiova, Dolj county. It is the oldest religious edifice from the city of Craiova, being built in 1483. The Monastery`s church was built between 1506 – 1512 and the actual church in 1572, by the Boyar Stephan and his son. http://www.informatii-romania.ro/en/listing/manastirea-cosuna/

Today's parish church, the Church of the Assumption was erected on the foundation of the early gothic church and was expanded and fortified in 1535. The church vestry preserved valuable liturgical vestments and several crosses of artistic value and the painting of "Mother of God and the torture of Fabian and Sebastian" of the Flemish-Venetian painter Pietera de Costera is especially valuable. 15th of August, the day of Vela Gospa (The fiesta of the Assumption) there is a fiesta in Jelsa when people from the surrounding places visit Jelsa. On the night of Good Thursday from Jelsa starts the procession Za Križem (Procession of the Cross) towards Pitve then further on towards Vrisnik, Svirče, Vrbanj and Vrboska. After a 22 km long journey, with the first rays of the morning sun, the procession returns to the parent church. This unique tradition which has been going on for 500 years is on a representative UNESCO list of non-material cultural heritage of the world. https://www.visit-hvar.com/tours/church-of-the-assumption-jelsa/HV-TR-125

One of the most significant monuments of the island of Hvar is definitely the Church – fort erected in 1571, after the Turkish attack on the location of an older church that originated in 1465. The church has the shape of a fort with an observation post and a loop-hole and from its top, there is a beautiful panoramic view of the surrounding places and fields. The church preserves valuable works of Stefan Celesti ('Lady of Mount Carmel'), Antonio Sciuri ('Mary's Childbirth'), Giuseppe Alabardi ('Resurrection' and 'Placing into the tomb') Marko Rašica ('Lady of Mount Carmel') and Celestin Medović ('Homage of the Three Kings'). https://www.visit-hvar.com/tours/church-fort-of-st-mary-vrboska/HV-TR-23

If you visit Hvar, all the streets will lead you to Hvarska pjaca (Hvar's square), the centre of the city's public and social life and the largest square in Dalmatia. The eastern side of the square is surrounded by the Cathedral of St. Stephen that was built on the foundations of an early-Christian church from the 6th century and that acquired its present appearance in the 16th and 17thcentury. The Cathedral is dedicated to St. Stephen, a pope and martyr, the protector of the Diocese and the city of Hvar. The renaissance bell-tower of the Cathedral and Hvar's other bell towers (St. Mark, Franciscan and the ruined one of St. Venerande) are considered to be the nicest ones in Dalmatia. Hvar's Cathedral preserves many valuable items and paintings of famous painters like Stefano Celesti, Palma Junior and the Spanish painter Juan Boschettus, but the most renowned painting is definitely Madonna, an example of the proto-Venetian art and one of the oldest in Dalmatia originating back in 1220. In the Episcopal Palace standing next to the Cathedral, a collection of objects of art, sacred vessels, archival documents, old books and liturgical vestments was founded in 1963. http://www.visit-hvar.com/tours/square-of-st-stephen-cathedral-of-st-stephen/HV-TR-37

Among the European cathedrals the one in Split finds its seat in the oldest building - the Mausoleum of the Roman Emperor Diocletian. Inside the cathedral, at the end of the second millennium, the history reconciles ancient pagan, Christian Medieval and modern heritage. http://visitsplit.com/en/527/cathedral-of-saint-domnius

The Church and the Monastery of St Francis, located on the Western part of the Riva, were built on the old early Christian site, by the grave and a small Church of St Felix, martyr from the time of Diocletian. In the 13th century, the Little brothers of St Francis inhabit the Church. From the Churche's artwork, the most valuable is the Gothic Crucifix painting by Blaž Juraj of Trogir from the beginning of the 15th century, and the sarcophagus depicting the Crossing over the Red sea, part of the sacral artwork from the Roman times. Next to the Church is a Franciscan monastery with a 13th-century cloister and an opulent library with over 3000 books, among which even some from 16th century. In the Church and the Monastery are tombs of prominent citizens of Split, like the father of Croatian literature Marko Marulić and one of the greatest Croatian politicians Ante Trumbić whose sarcophagus is the work of Ivan Meštrović. https://visitsplit.com/en/1239/church-and-monastery-of-st-francis

During structural repairs to the foundations of the bell tower in 1903, an altar consecrated to Hera was found, which might well warrant the assumption that there was once, on the site of today's cathedral, a shrine from at least the Greek and Roman period. http://www.portal-trogir.com/about-trogir/must-see/#katedrala

Cattedrale di San Matteo—the cathedral of Salerno—houses ancient Greek columns, Roman sarcophagi, medieval pulpits, and the body of St. Matthew the Evangelist Although World War II bombs devastated most of medieval Salerno, the Duomo's lovely 11th-century atrium courtyard was spared. It contains 28 antique columns pilfered from the ancient Greek ruins of Paestum. Behind them are Roman sarcophagi recycled in the Middle Ages as the tombs for local grandees. The cathedral was founded in 1081 by Hauteville Norman adventurer Robert Guiscard who by then had conquered his way to becoming Duke of Apulia and Calabria (which, at the time, covered pretty much all of southern Italy; the neighbouring Dutchy of Naples was confined just the sliver of land around the Bay of Naples itself). Robert was, for good measure, also Duke of Sicily. An earthquake in 1688 caused most of the cathedral to be rebuilt along baroque lines, though from the older church remain a fabulous pair of inlaid ambones (pulpits) similar to those at Ravello. Proof that the city of Salerno was once a much bigger deal than it is today: The cathedral crypt, lavishly decorated with precious marbles in the 17th century (and restructured in the 1960s), houses the bones of St. Matthew the Evangelist. http://www.reidsitaly.com/places/salerno/see/the-duomo-of-salerno/

St. Polycarp Church is the oldest structure of İzmir which is founded in the area where Konak District is located on the Mediterranean Side, Kazim Dirik Caddesi, Necatibey Boulevard and Gazi Osman Money Boulevard. http://izmirsosyal.net/st-polycarp-kilisesi-h363.html

Built in the 11th century with support from the Rufolo family, the Duomo is a combination of Baroque and Romanesque styles. Dedicated to St. Pantaleone, the church has undergone extensive modifications and restorations over the past 900 years. The Duomo’s shining white façade dates back to the last major restoration in 1931. The Duomo’s bell tower, which dates back to the 13th century, shows Moorish and Byzantine influence. Today, the Duomo is primarily remembered for five attractions: The first is the bronze door, which was temporarily removed for restoration in 2010. Constructed in 1179 by Barisano da Trani, the door is of special interest because fewer than two dozen bronze church doors are still extant in Italy, three of them by Trani. The second item of special note is the pulpit, which is supported by six spiraled columns sitting atop marble lions. Across from the pulpit, to the left, is the Ambo of the Epistles that boasts two wonderful mosaics of Jonah and the Whale. The fourth area of special interest is the Chapel of St. Pantaleone the Healer, a 3rd century physician who was beheaded, on orders of the Emperor Diocletian, after he converted to Christianity. The Chapel has a small ampoule of the saint’s blood, which is said to liquefy every year on July 27th, the anniversary of his martyrdom. The chapel also has a silver bust of the town’s venerated saint. The final attraction is the cathedral's museum, which is accessible through a side entrance on the Via Richard Wagner. https://www.ravello.com/attractions/duomo/

Amalfi Cathedral is a 9th-century Roman Catholic structure in the Piazza del Duomo, Amalfi, Italy. It is dedicated to the Apostle Saint Andrew. Predominantly of Arab-Norman Romanesque architectural style, it has been remodelled several times, adding Romanesque, Byzantine, Gothic, and Baroque elements. The cathedral includes the adjoining 9th-century Basilica of the Crucifix. Leading from the basilica are steps into the Crypt of St. Andrew. A wooden 13th-century Crucifix hangs in the liturgical area. Another crucifix, made of mother-of-pearl, was brought from the Holy Land and is located to the right of the back door. The High Altar in the central nave is formed from the sarcophagus of the Archbishop Pietro Capuano (died in 1214). Above the altar is a painting by Andrea dell'Asta of The Martyrdom of St. Andrew. The front facade was rebuilt in 1891 after the original one collapsed. It is of striped marble and stone with open arches that have lace detailing not commonly found in Italian sacred architecture while the tiled cupola is quite common amongst churches of the area. The tympanum's mosaics portray “The triumph of Christ” in a work created by Domenico Morelli and whose original designs are retained in the Town Hall. https://www.livesalerno.com/amalfi-cathedral

The Cathedral of St. James in Šibenik is one of the most significant and most beautiful architectural achievements in Croatia and was included on the UNESCO Cultural World Heritage List in 2000. It was built in a stretch of more than a hundred years, during the 15th and 16th century, and is unique for it is entirely built of stone. The most important builders of the Cathedral were Juraj Dalmatinac (Georgius Mathei Dalmaticus) and Nikola Firentinac (Niccolò di Giovanni Fiorentino). The Cathedral was first built in Gothic, and completed in Renaissance style https://www.sibenik-tourism.hr/lokacije/cathedral-of%20-st-james/1/en.html

The monument has two names – both used: “St. Mary monument” and “St. Nepomuk monument". Both are (and were) correct, but could cause confusion: there was another “Mary”, quite famous, and it is in the namesake square from Iosefin, and there is also another Nepomuk near the Millennium Church in Fabric. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/230-monumentul-sfintei-maria.html

In the verdant valley of Vlamari at approximately 2 km. from the town of Samos stands the monastery of Agia Zoni (Cincture of Virgin Mary), built in 1695. Inside the monastery one will find frescoes preserved from the 17th century and a remarkable library with patriarchal documents and precious objects. http://visit.samos.gr/index.php/things-see/sightseeing/monastries/#samos

The Cathedral of Saint Joseph is the most important Roman Catholic Church in Bucharest serving, at the same time, as cathedral of the Roman Catholic Archbishopric in Bucharest and Metropolitan Cathedral of the Roman Catholic Church in Romania. The crucial role of this place of worship in the religious life of the community of Roman Catholic believers in Bucharest and nationwide alike is, thus, understandable. Built between 1873 and 1884 (the construction works took so long because of the War of Independence in 1877), the cathedral is an architectural monument erected by following the design of Friedrich Schmidt, combining elements typical of the Roman style with discreet Gothic touches. The inner highlights of the cathedral refer to the main white Carrara marble altar (built in Rome by following the designs of the same Friedrich Schmidt), to an impressive organ (the present organ was built in 1930 in order to replace the original 1892 Parisian organ) said to be one of the best in the country, to the Parisian chandelier, to the decorative pictorial works by Georg Roder and Fr. Elsner, as well as to the decorative plasterwork on the walls, columns and pillars. http://www.tourism-bucharest.com/bucharest-attractions/places-of-worship-in-bucharest/cathedral-of-saint-joseph.html

Near the Gesú Nuovo church, there is the monumental complex of Santa Chiara, one of the most important buildings commissioned by the French Kingdom of Anjou for the Franciscan order. Built in 1340, it is a rare example of Medieval architecture in Napoli. The convent was to accommodate both monks and nuns in two separate buildings but at the same time depending on the same church. The church was then built in a simple Gothic style, with the typical Neapolitan yellow tufa. Unfortunately, the church has been reconstructed changing the original features into the Baroque style with marbles, polychrome stuccos and exorbitant decorative elements by Domenico Antonio Vaccaro between 1742 and 1769. Sadly, in 1943 the church was partially bombed during the second world war. It was decided that it would be rebuilt in its original Gothic style. It was reopened in 1953. Most of the antiques sculptures have returned to their original location, including the splendid tombs of the member of the Anjou family, like the monumental tomb of Robert of Anjou dated 1343, the tomb of Mary Valois, second wife of Robert, and his son's tomb. A small part of a fresco still remains from the medieval decoration attributed to Giotto (who stayed in Napoli between 1328 and 1333) and his workshop. The fine cloister outside the church is richly decorated with majolica tiles and it is a pure gem of the eighteenth century, designed by Domenico Antionio Vaccaro. He left the original medieval plan of the cloister but redesigning parts of it, adding two wide paths in the middle, the fine majolica decorations on the pillars with motif of vine shoots and wisteria twisting up, flowers, lemons while the seats are decorated with scenes of the city and country life in the eighteenth century. http://www.girlfromnaples.com/santa-chiara-church-and-cloister/

The Church of St. Peter and St. Paul is the co-cathedral of the Roman Catholic Archdiocese of Đakovo-Osijek. A co-cathedral is a cathedral church which shares the function of being a bishop’s seat, or cathedral, with another cathedral, often in another city. http://croatia4me.com/en/travel-directory/co-cathedral-of-sts-peter-and-paul-in-osijek/

In 1642 Pater Andrija Stipancic, an observant franciscan monk from the “Bosna Argentina” province and priest at Radna, succeeds, after a long pilgrimage on foot made to Istambul and back, to obtain an Embre from the sultan for the renovation of his chapel. http://www.uvisitromania.com/tourist-attractions/arad/basilica-maria-radna-id532