Genoa

Пляж в деревушке Monterosso, в Италии, в долине Cinque Terre. Приятная, прозрачная вида, немного каменистый вход но терпимо. Жаль, что попали в самый сезон, на пляже не протолкнуться, наверное позже, в Сентябре свободнее.

Наверное, второй после Vernazza город в Cinque Terre, он чуть побольше чем Vernazza, несколько небольших улиц с кафе, очень понравился, комфортный.

Деревня Vernazza, в которой находилась наша "база", квартира, из которой мы совершали вылазки в другие места Cinque Terre. В путеводителях было написано, что Vernazza это город, но боюсь, что они сильно приувеличили. Бывшая рыбацкая деревня, которая сейчас живет исключительно на туристах. Классические итальянские узкие улицы, рынок по утрам. Очень неплохой заливчик, где можно купаться. Длинные волнорезы, на которых вечером можно пить шампанское Да, и еще. На мой взгляд, здесь был один из лучших рыбных ресторанов из тех, что мы посещали в Италии. По крайней мере, самый колоритный и интересный, это точно.

Первая из пяти деревень Cinque Terre, с традиционными домиками, лодками, пиццей. street food у них fried fish mix - креветки, анчоусы, кальмары, вообще все в кучу обжаренное во фритюре. Хорошая смотровая дорожка рядом со станцией

The property with its ancient park because of its architectural importance and its artistic heritage, it is under the Royal Law Decree of June 1939 and it belongs today to the Società Semplice Castello d’Uviglie. http://www.castellodiuviglie.com/il-castello.php?&ln=en

It may seem strange entitle a museum to a stone, but a visit to the Ecomuseo della Pietra da Cantoni clarifies why this unique material is so important to the Monferrato’s culture. http://www.monferratodelights.com/blog/ecomuseum-pietra-da-cantoni/

A great number of medieval castles overlook the valleys and countryside creating very suggestive landscapes such as the Fortress of Castell’Arquato. http://www.italia.it/en/discover-italy/emilia-romagna/piacenza.html

Among the treasures of Val d’Arda is Castell’Arquato with a rich historical centre towered over by the Praetorian Palace and by the Fortress of the XIV century stands out. http://www.italia.it/en/discover-italy/emilia-romagna/piacenza.html

The church of Sant’Evasio was founded in the first half of the 8th century, at the time of the Lombard King Liutprand, who wished to honour the saint by erecting a great basilica over the little church of San Lorenzo, built by Evasius himself. http://www.cittaecattedrali.it/en/bces/46-cathedral-of-sant-evasio

Not to be missed is a place which preserve the memory of the ancient State of the Pallavicini and precious architectures of the 15th century,Church of the Sant’Annunziata. http://www.italia.it/en/discover-italy/emilia-romagna/piacenza.html

The Royal Castle of Racconigi is situated in the province of Cuneo in the region of Piemonte. It was the official residence of the Carignano line of the House of Savoy and is one of the Residences of the Royal House of Savoy included by UNESCO in the World Heritage Sites list. http://www.italiantourism.com/palazzireali.html

The World Heritage Committee included on its list the Basilica and other sites important to the Franciscan Order, due to the fact that they represent an amalgamation of masterpieces stemming from creative human genius http://www.italia.it/en/travel-ideas/religion-and-spirituality/st-francis-and-the-basilica-in-assisi.html?h=assisi

One of the historical site situated in the city of Cuneo. Must visit place for tourist. https://cuneofotografie.blogspot.in/2013/09/palazzo-samone.html

Commissioned by Maria Luigia and designed by Nicola Bettoli, the Regio theatre was built between 1821 and 1829 on the site of the Benedectine convent of St. Alessandro. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/regio-theatre

The vast but unfinished complex, named after the game pelota that was played in one of the courtyards, was built in the second half of the 16th century at the order of Ranuccio I around the Visconti stronghold and alongside the existing church of San Pietro martire. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/pilotta-palace

The chamber of Saint Paul used to be part of the abbess' apartment in the Benedectine Convent of Saint Paul, decorated from 1514 at the order of Abbess Giovanna da Piacenza, whose priorate was characterized by a lively cultural life. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/museums-and-galleries/chamber-of-saint-paul-and-saint-catherines-cell

Even viewed only from the outside, the Duomo di Milano inspires awe with its grand scale and intricately ornate Gothic design. As the third largest church in Europe, this 14th century cathedral dominates the Milan skyline with its forest of soaring spires and towers that seem to touch the heavens.The elaborately sculpted marble facade stopped me in my tracks – an overwhelming cascade of arches, statues, and bas-relief scenes. I craned my neck trying to take it all in – from the majestic main entrance flanked by lions, to the Madonnina statue sparkling in gold some 356 feet above. No matter where you stand, there are biblical figures gazing out across the piazza with stone drapery billowing behind them.I imagined the legions of artisans across six centuries chiseling away to create this flamboyant Gothic spectacle. The experience left me with a profound appreciation what humans can achieve through immense dedication to artistic and engineering vision on a grand scale. Even unstepped inside, the Duomo di Milano is sure to impress with its ambitious vertical reach reflecting the glory of God and the endless creativity of mankind.

The construction of the Duomo di Milano initiated in 1386 on the site of the ancient basilicas of Santa Tecla and Santa Maria Maggiore, which were then demolished at a later date. Dedicated to Maria Nascente, the cathedral was commissioned by Gian Galeazzo Visconti and had a dual purpose: the plan was to replace the sites of worship in the heart of Milan with an imposing edifice and it was also intended to celebrate the Visconti Signoria and its ambitious expansion policy. It is the largest and most complex Gothic building in Italy, made of pink-veined white marble from the Candoglia quarries, in the Val d'Ossola. It is 157 metres in length and covers an area of 11,700 m2. The highest spire measures 108.5 and, in October 1774, the golden 4,16 metre-high statue of the Madonna by the sculptor Giuseppe Perego was placed on its pinnacle. The construction works were prolonged over five centuries and, during this extensive period, local and European architects, sculptors, artists and workers all proceeded in turn to work in the Fabbrica del Duomo. The result of all their labour is a unique style of architecture, a fusion of European Gothic style and Lombard tradition. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/architetturaemonumenti/abbaziechieseebasiliche/Duomo_Milano

Город с замечательной архитектурой, прекрасными улицами, но в котором, если ты не любитель итальянской оперы или не хочешь купить себе мебель, делать нечего уже на второй день

The Galleria, a place of transit for busy managers or a stop for enchanted and curious tourists, expresses the various faces of the city through its many facets. As soon as it was finished, the Galleria became immediately famous for its large size, extraordinary for the time and sign of a new era. Taking that classic wander through the Galleria, the very heart of the city, as visitors have done for many years, still creates that wonderful sensation. Entering the Galleria, the corridor between Duomo and La Scala Theatre, its magnificent arch welcomes you and hints at the Milanese spectacle that lies within. The original idea of the designers was to create a porticoed street that would function as a showcase and offer somewhere to take a pleasant stroll, enjoy an aperitif or have dinner after the opera. Today it can still be considered the “parlour” of the city, a place where you relax and enjoy a coffee at the bar Camparino, let yourself be enchanted by the cute hats of Borsalino and the collections of Prada and Louis Vuitton, or stop for an aperitif at Savini. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/architetturaemonumenti/monumenti/galleria_vittorio_emanuele_ii

La Scala, or Teatro alla Scala in Italian, is one of the most famous opera houses in the world. Its sober and elegant exterior never fails to surprise those that visit it for the first time. The Archduke Ferdinand of Austria-Este commissioned the construction of a new Ducal Theatre when a fire burnt down the previous theatre in 1776. The opera house was built on the site where the former site of the Church Santa Maria alla Scala, hence the name of the Teatro alla Scala. Like other theatres of the same period, La Scala also housed a casino during its early years. In 1943, during World War II, the theatre was badly damaged by bombing. It was reconstructed three years later. In 2002, the Opera House was closed for two years while it was renovated and opened in November 2004 with an opening performance of Europa riconosciuta by Antonio Salieri, which is the same opera that was performed when the theatre was inaugurated in 1778. Many famous operas have had their first production in La Scala, such as Othello, Nabucco by Verdi or Madame Butterfly by Giacomo Puccini. During its early years, the composer Giuseppe Verdi did not want his work to be represented in the Teatro alla Scala because he was convinced that the orchestra modified his compositions. Nevertheless, he then established a very close relationship with the Opera House. The Theatre Museum contains a large collection of paintings, busts, costumes and several other objects related to the world of opera and theatre. The visit includes discovering the theatre’s grand foyer, an elegant and sparsely decorated hall. Then you will be taken to the small box seats covered in red satin, where the high society enjoyed and still enjoys the various operas and ballets performed in La Scala. The enormous auditorium is made of wood and covered in red velvet, adorned with golden coloured stuccos. The stage is lit by a huge Bohemian crystal chandelier with 383 bulbs. https://www.introducingmilan.com/teatro-alla-scala

The new museum, created inside the ancient Ospedale Spagnolo (Spanish Hospital) in the Castello Sforzesco, is a fascinating space that has never opened to the public before and is exclusively dedicated to Michelangelo’s last masterpiece. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/musei/pitturaescultura/Museo_della_Pieta

Castello Sforzesco is a surprising monument sheltering several specialized museums and traces of the city’s past. An oasis of art and culture. It was originally a Visconti fortress and later home to the mighty Sforzas, the rulers of Milan, who transformed it into a magnificent ducal palace thought to have been decorated by several of the greatest artists of the times including Donato Bramante and Leonardo da Vinci. Transformed into a military complex during four centuries of foreign occupation and subsequently used as the barracks of the Italian army, at the end of the 19th century the Castle was restored by architect Luca Beltrami who turned it into the headquarters of Milan’s Civic Museums. Today the Castle sits in all of its glory in the eponymous square with its 70m-tall “Torre del Filarete” and a number of majestic circular keep-towers. https://www.wheremilan.com/sightseeing-sempione/sforza-castle/

Brera is synonymous with the artistic heart of the city. In fact, as you stroll along the streets of this ancient district, you cannot help but be enchanted by its almost surreal atmosphere boasting small artisan’s workshops or quaint stores selling canvases and paints. Additionally, Brera is home to the impressive Accademia di Belle Arti, where visitors can admire Milan’s famous painting collection at the Pinacoteca (the Brera Picture Gallery), the historic Biblioteca Nazionale Braidense (Braidense National Library) , the Museo Astronomico (The Astronomical Museum), the oldest scientific research institute in the city and the Giardino Botanico (Botanical Gardens), an evocative green space located. https://www.wheremilan.com/sightseeng-brera/welcome-to-brera-district/

In 1563, with the transfer of the ducat's capital from Chambéry to Turin, Emanuele Filiberto of Savoy established his residence in the palace of the bishop at the Duomo; already in 1584, Carlo Emanuele I entrusted the architect Ascanio Vittozzi with the construction of a new factory. After 1643, with the regency of Maria Cristina of France, the direction of the work passed to Carlo di Castellamonte and then to Carlo Morello. http://www.museireali.beniculturali.it/index.php/it/il-complesso/palazzo-reale

The Museum of Antiquities consists of several sections: the New Channel, with the Archeology exhibition in Turin and the Marengo Treasure Halls; the Territory, dedicated to the archeology of Piedmont and the "Exhibitions on the catwalk"; the Collections, the "historical" nucleus of the Museum and location of the setting up of the Papyrus of Artemidorus. The underground floor of the Manica Nuova of Palazzo Reale has been the venue since 2013 for the renewed display of the Marengo Treasury and the Archeology exhibition in Turin which presents the city's archaeological materials, originating from the collections of the sixteenth-century scholars, increased by the antiquaries of the following centuries and merged into the royal collections, together with the new acquisitions resulting from recent archaeological excavations. The section connects with the archaeological area of ​​the Roman theater which partially contains and overlooks it. http://www.museireali.beniculturali.it/index.php/it/il-complesso/museo-archeologico

The Sabauda Gallery is headquartered at the New Palace of the Royal Palace and retains great masterpieces of the leading European schools. Among the works of Italian masters from the 14th century to the sixteenth century can be admired the Madonna with Child of the Blessed Angelic, the Archangel Raffaele and Tobiolo of Antonio and Piero del Pollaiolo, the Three Archangels and Tobiolo of Filippino Lippi, the Madonna with Child and painted saints by Andrea Mantegna with the help of a collaborator and the great canvas with Dinner at Simone's house by Paolo Veronese. http://www.museireali.beniculturali.it/index.php/it/il-complesso/galleria-sabauda

This imposing residential castle was built between the 15th and 16th centuries by the noble Martinengo family. http://www.bresciatourism.it/en/what-to-do/padernello-castle/

Just a few kilometres from the hubbub of tourists visiting Pisa and its splendid piazza dei Miracoli, there’s an island of nature that sits silently and far away from the changes of urbanization. We’re talking about the Migliarino, San Rossore and Massaciuccoli Nature Park, a protected site that includes wet areas, marshes, sand dunes and the large Lake Massaciuccoli, once an ancient salt water lagoon. The San Rossore Estate is the most important environment in the park: hugged by the Serchio to the north and the Arno to the south, the area conceals dense pine groves and woodlands of deciduous trees from the old-growth forest. The estate’s accessible itineraries zigzags through dunes and tombolos, marshes and woods that hide a wealth of fauna and flora. https://www.visittuscany.com/en/itineraries/excursion-in-the-migliarino-san-rossore-and-massaciuccoli-nature-park/

The Baptistery of San Giovanni was founded on 15 August 1152. It is here that the Sacrament of Baptism is administered and the Christian embarks upon the path of Faith. The reason that such a fascinating and enigmatic building was constructed was certainly the wish to endow the cathedral with a worthy adjunct: a Baptistery that, in terms of position, size, materials and style, would be in harmony with the majestic building that already stood opposite. https://www.opapisa.it/en/square-of-miracles/baptistery/

The Cemetery is the last monument on Piazza del Duomo, its long marble wall flanking the northern boundary and completing its shape. It was founded in 1277 to accommodate the graves that until then were scattered all around the Cathedral. Archbishop Federico Visconti wanted the building to be a “large and dignified, secluded and enclosed place”. This is how one of the oldest Christian Medieval architectures for the devotion of the dead came into being. https://www.opapisa.it/en/square-of-miracles/camposanto/

The Campo dei Miracoli in Pisa, or the Square of Miracles, was proclaimed a World Heritage Site by UNESCO 25 years ago. The square is not located in the center of the city as you might imagine but to the north-west of the fortified wall, almost out of the town; there probably wasn’t enough space to use at the time the project got underway so this is the site decided upon. Since the times of the Etruscans, the three structures found in the piazza have been considered central to religious life, symbolizing the main stages of a human’s life https://www.discovertuscany.com/pisa/piazza-dei-miracoli.html

Pisa Cathedral is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli. Founded in 1064 and consecrated with great pomp on September 26th 1118, the Cathedral was built in two stages, one by architect Buscheto, who created the original layout with the basilican body with four aisles and one nave, a transept with one nave and two aisles, and the dome on the cross vault, and one by Rainaldo, who extended the building and the façade. The outer facing of the Cathedral is decorated in alternating black and white shades in stripes of Arab influence and a massive use of reused materials from Roman monuments that emphasised the greatness of the city of Pisa, “altera Roma”. Inside, the nave is edged by two rows of monolithic columns made of granite from the Isle of Elba, flanked by four aisles separated by smaller colonnades with large womenís galleries on top, covered by cross vaults and looking out onto the nave through some double-lancet and four-lancet windows. The nave is covered by a wooden coffered ceiling that in the XVII century replaced the original exposed trusses. https://www.opapisa.it/en/square-of-miracles/cathedral/