Piacenza

This imposing residential castle was built between the 15th and 16th centuries by the noble Martinengo family. http://www.bresciatourism.it/en/what-to-do/padernello-castle/

The vast but unfinished complex, named after the game pelota that was played in one of the courtyards, was built in the second half of the 16th century at the order of Ranuccio I around the Visconti stronghold and alongside the existing church of San Pietro martire. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/pilotta-palace

Commissioned by Maria Luigia and designed by Nicola Bettoli, the Regio theatre was built between 1821 and 1829 on the site of the Benedectine convent of St. Alessandro. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/regio-theatre

The chamber of Saint Paul used to be part of the abbess' apartment in the Benedectine Convent of Saint Paul, decorated from 1514 at the order of Abbess Giovanna da Piacenza, whose priorate was characterized by a lively cultural life. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/museums-and-galleries/chamber-of-saint-paul-and-saint-catherines-cell

The construction of the Duomo di Milano initiated in 1386 on the site of the ancient basilicas of Santa Tecla and Santa Maria Maggiore, which were then demolished at a later date. Dedicated to Maria Nascente, the cathedral was commissioned by Gian Galeazzo Visconti and had a dual purpose: the plan was to replace the sites of worship in the heart of Milan with an imposing edifice and it was also intended to celebrate the Visconti Signoria and its ambitious expansion policy. It is the largest and most complex Gothic building in Italy, made of pink-veined white marble from the Candoglia quarries, in the Val d'Ossola. It is 157 metres in length and covers an area of 11,700 m2. The highest spire measures 108.5 and, in October 1774, the golden 4,16 metre-high statue of the Madonna by the sculptor Giuseppe Perego was placed on its pinnacle. The construction works were prolonged over five centuries and, during this extensive period, local and European architects, sculptors, artists and workers all proceeded in turn to work in the Fabbrica del Duomo. The result of all their labour is a unique style of architecture, a fusion of European Gothic style and Lombard tradition. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/architetturaemonumenti/abbaziechieseebasiliche/Duomo_Milano

Even viewed only from the outside, the Duomo di Milano inspires awe with its grand scale and intricately ornate Gothic design. As the third largest church in Europe, this 14th century cathedral dominates the Milan skyline with its forest of soaring spires and towers that seem to touch the heavens.The elaborately sculpted marble facade stopped me in my tracks – an overwhelming cascade of arches, statues, and bas-relief scenes. I craned my neck trying to take it all in – from the majestic main entrance flanked by lions, to the Madonnina statue sparkling in gold some 356 feet above. No matter where you stand, there are biblical figures gazing out across the piazza with stone drapery billowing behind them.I imagined the legions of artisans across six centuries chiseling away to create this flamboyant Gothic spectacle. The experience left me with a profound appreciation what humans can achieve through immense dedication to artistic and engineering vision on a grand scale. Even unstepped inside, the Duomo di Milano is sure to impress with its ambitious vertical reach reflecting the glory of God and the endless creativity of mankind.

Город с замечательной архитектурой, прекрасными улицами, но в котором, если ты не любитель итальянской оперы или не хочешь купить себе мебель, делать нечего уже на второй день

The Galleria, a place of transit for busy managers or a stop for enchanted and curious tourists, expresses the various faces of the city through its many facets. As soon as it was finished, the Galleria became immediately famous for its large size, extraordinary for the time and sign of a new era. Taking that classic wander through the Galleria, the very heart of the city, as visitors have done for many years, still creates that wonderful sensation. Entering the Galleria, the corridor between Duomo and La Scala Theatre, its magnificent arch welcomes you and hints at the Milanese spectacle that lies within. The original idea of the designers was to create a porticoed street that would function as a showcase and offer somewhere to take a pleasant stroll, enjoy an aperitif or have dinner after the opera. Today it can still be considered the “parlour” of the city, a place where you relax and enjoy a coffee at the bar Camparino, let yourself be enchanted by the cute hats of Borsalino and the collections of Prada and Louis Vuitton, or stop for an aperitif at Savini. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/architetturaemonumenti/monumenti/galleria_vittorio_emanuele_ii

La Scala, or Teatro alla Scala in Italian, is one of the most famous opera houses in the world. Its sober and elegant exterior never fails to surprise those that visit it for the first time. The Archduke Ferdinand of Austria-Este commissioned the construction of a new Ducal Theatre when a fire burnt down the previous theatre in 1776. The opera house was built on the site where the former site of the Church Santa Maria alla Scala, hence the name of the Teatro alla Scala. Like other theatres of the same period, La Scala also housed a casino during its early years. In 1943, during World War II, the theatre was badly damaged by bombing. It was reconstructed three years later. In 2002, the Opera House was closed for two years while it was renovated and opened in November 2004 with an opening performance of Europa riconosciuta by Antonio Salieri, which is the same opera that was performed when the theatre was inaugurated in 1778. Many famous operas have had their first production in La Scala, such as Othello, Nabucco by Verdi or Madame Butterfly by Giacomo Puccini. During its early years, the composer Giuseppe Verdi did not want his work to be represented in the Teatro alla Scala because he was convinced that the orchestra modified his compositions. Nevertheless, he then established a very close relationship with the Opera House. The Theatre Museum contains a large collection of paintings, busts, costumes and several other objects related to the world of opera and theatre. The visit includes discovering the theatre’s grand foyer, an elegant and sparsely decorated hall. Then you will be taken to the small box seats covered in red satin, where the high society enjoyed and still enjoys the various operas and ballets performed in La Scala. The enormous auditorium is made of wood and covered in red velvet, adorned with golden coloured stuccos. The stage is lit by a huge Bohemian crystal chandelier with 383 bulbs. https://www.introducingmilan.com/teatro-alla-scala

Brera is synonymous with the artistic heart of the city. In fact, as you stroll along the streets of this ancient district, you cannot help but be enchanted by its almost surreal atmosphere boasting small artisan’s workshops or quaint stores selling canvases and paints. Additionally, Brera is home to the impressive Accademia di Belle Arti, where visitors can admire Milan’s famous painting collection at the Pinacoteca (the Brera Picture Gallery), the historic Biblioteca Nazionale Braidense (Braidense National Library) , the Museo Astronomico (The Astronomical Museum), the oldest scientific research institute in the city and the Giardino Botanico (Botanical Gardens), an evocative green space located. https://www.wheremilan.com/sightseeng-brera/welcome-to-brera-district/

The new museum, created inside the ancient Ospedale Spagnolo (Spanish Hospital) in the Castello Sforzesco, is a fascinating space that has never opened to the public before and is exclusively dedicated to Michelangelo’s last masterpiece. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/musei/pitturaescultura/Museo_della_Pieta

Castello Sforzesco is a surprising monument sheltering several specialized museums and traces of the city’s past. An oasis of art and culture. It was originally a Visconti fortress and later home to the mighty Sforzas, the rulers of Milan, who transformed it into a magnificent ducal palace thought to have been decorated by several of the greatest artists of the times including Donato Bramante and Leonardo da Vinci. Transformed into a military complex during four centuries of foreign occupation and subsequently used as the barracks of the Italian army, at the end of the 19th century the Castle was restored by architect Luca Beltrami who turned it into the headquarters of Milan’s Civic Museums. Today the Castle sits in all of its glory in the eponymous square with its 70m-tall “Torre del Filarete” and a number of majestic circular keep-towers. https://www.wheremilan.com/sightseeing-sempione/sforza-castle/

The current auditorium of Teatro Grande was designed by architect Luigi Canonica and built in 1810. Girolamo Magnani decorated it in 1862. http://www.bresciatourism.it/en/what-to-do/teatro-grande-brescia/

The Teatro Donizetti covers a total area of 3200 square meters. The hall’s dimensions respect the original 1786 design: it measures 360 square meters and it’s able to seat 532 people. There are 120 boxes, divided into three tiers, totalling 1154 seats. http://www.visitbergamo.net/en/object-details/3019-donizetti-theatre/

The first exhibition of the current Archaeology Museum was located in the Loggia under the Palazzo della Ragione, in Piazza Vecchia, where it was simply a “collection of old stuff” and included several epigraphs. http://www.visitbergamo.net/en/object-details/73-archaeological-museum/

Visiting this enchanting abbey, established one thousand years ago, you will experience the very same atmosphere of knights, crusades and religious mysteries. Surrounded by the lush forests of the mount Canto, this church kept its charming and austere Romanesque architecture, decorated by the fragments of ancient frescoes, which used to cover its walls http://www.visitbergamo.net/en/object-details/133-sant-egidio-in-fontanella-abbey/

The town of Lonato boasts an exceptional monumental complex. Even the most demanding tourists will find it worth visiting. http://www.bresciatourism.it/en/what-to-do/rocca-and-ugo-da-como-house-museum/

The Parks of Nervi are an important historical/nature complex formed from the combination of several gardens that once belonged to private villas: Villa Gropallo, Villa Saluzzo Serra, and Villa Grimaldi Fassio. Today, these villas belong to the City of Genoa and have been transformed into museums. http://www.visitgenoa.it/en/parchi-di-nervi-gropallo-serra-grimaldi-and-luxoro-villas

On display in Palazzo Rosso, a noble residence decorated with valuable furnishings and frescoes by Liguria's greatest painters of the 17th Century, is a rich gallery of paintings, collected over more than two centuries by the noble Brignole-Sale family. http://www.visitgenoa.it/en/strada-nuova-museums-palazzo-rosso

The church of Sant’Evasio was founded in the first half of the 8th century, at the time of the Lombard King Liutprand, who wished to honour the saint by erecting a great basilica over the little church of San Lorenzo, built by Evasius himself. http://www.cittaecattedrali.it/en/bces/46-cathedral-of-sant-evasio

Наверное, второй после Vernazza город в Cinque Terre, он чуть побольше чем Vernazza, несколько небольших улиц с кафе, очень понравился, комфортный.

Пляж в деревушке Monterosso, в Италии, в долине Cinque Terre. Приятная, прозрачная вида, немного каменистый вход но терпимо. Жаль, что попали в самый сезон, на пляже не протолкнуться, наверное позже, в Сентябре свободнее.

Деревня Vernazza, в которой находилась наша "база", квартира, из которой мы совершали вылазки в другие места Cinque Terre. В путеводителях было написано, что Vernazza это город, но боюсь, что они сильно приувеличили. Бывшая рыбацкая деревня, которая сейчас живет исключительно на туристах. Классические итальянские узкие улицы, рынок по утрам. Очень неплохой заливчик, где можно купаться. Длинные волнорезы, на которых вечером можно пить шампанское Да, и еще. На мой взгляд, здесь был один из лучших рыбных ресторанов из тех, что мы посещали в Италии. По крайней мере, самый колоритный и интересный, это точно.

The property with its ancient park because of its architectural importance and its artistic heritage, it is under the Royal Law Decree of June 1939 and it belongs today to the Società Semplice Castello d’Uviglie. http://www.castellodiuviglie.com/il-castello.php?&ln=en

Como, the Duomo (Cathedral) seen from the eastern side of the piazza, where in only a single block, the Duomo, the Broletto and the city tower are located. Como's Duomo is the last of the Gothic cathedrals built in Lombardy: it was begun in 1396, ten years after the foundation of Milan 's Duomo. http://www.comoanditslake.com/comocathedral.htm

It may seem strange entitle a museum to a stone, but a visit to the Ecomuseo della Pietra da Cantoni clarifies why this unique material is so important to the Monferrato’s culture. http://www.monferratodelights.com/blog/ecomuseum-pietra-da-cantoni/

This villa is a great example of neoclassical architecture. Its construction started at the end of 18th century and was finished in 1812 by marquesses Odescalchi. It belonged to family Raimondi and Visconti di Modrone. http://www.visitcomo.eu/en/discover/parks_villas/villas/villa_olmo/index.html#prettyPhoto

Set deep in the countryside north of Varese by the Castelseprio Archaeological Park, the site of Torba Abbey is home to more than a millennium of history. It started out as a military outpost towards the end of the Roman Empire and later fell into the hands of the Goths and then the Longobards (with defensive walls and towers dating back to the fifth and sixth centuries). Later Torba became a peaceful place of prayer and work for Benedictine nuns which led to the church and abbey being built in the thirteenth century. http://www.vareseturismo.it/en/blog/torba-abbey

Culture and nature promenade across beauty, innovation and Como's treasures. A path through Villa Olmo, Villa del Grumello and Villa Sucota where art initiatives grow. A place to meet and "breathe" culture for citizens and tourists. http://www.visitcomo.eu/en/discover/parks_villas/parks/chilometro_conoscenza/index.html

Первая из пяти деревень Cinque Terre, с традиционными домиками, лодками, пиццей. street food у них fried fish mix - креветки, анчоусы, кальмары, вообще все в кучу обжаренное во фритюре. Хорошая смотровая дорожка рядом со станцией

A gem of industrial hydroengineering, Panperduto represents an area of great interest to make visitors aware of cultural, historical, agricultural and environmental heritage. Located on the banks of the Ticino river, at Somma Lombardo along the European E1 trail and a few kilometres away from the Lago Maggiore and Milan, Panperduto is a place rich of history and culture. The old residence of the dam workers has been authentically restructured and today welcomes tourists following the cycleways, footpaths and points of interest along the watercourses. There is accommodation available with the opportunity to take guided tours of the whole complex, from the river confluence to the museum of the Italo-Swiss watercourses including a garden of interactive water games, to the migratory passage for fish and the beautiful trails immersed in the Ticino nature reserve. http://www.vareseturismo.it/en/blog/panperduto

The oldest part of the villa dates back to 1353, the year in which Pietro, son of the poet Dante Alighieri, established himself in Gargagnago. http://www.tourism.verona.it/en/enjoy/history-heritage/villas-and-mansions/villa-serego-alighieri

It seems that in the first half of the 15th century the Visconti stayed "in the countryside", a step away from the current Marche metro stop in Milan, in Villa Mirabello. At the time, however, the building we are talking about was called Cascina Mirabello, and it can be found in the documents of 1468 that recognized it as the property of this Pigello Portinari. The Florentine nobleman dear to Prince Sforza, general manager of the annuities of the Milanese duchy and representative of the Florentine House of the Medici in Milan, was also the promoter of the construction of the Portinari Chapel in Sant'Eustorgio. Towards the end of the 15th century, the villa changed hands, becoming the property of the noble Landriani. Antonio Landriani, awarded by Francesco Sforza as mayor of Milan in 1456, then appointed prefect of the ducal treasury by Galeazzo Maria Sforza, later president of the Mint of Milan by the appointment of Gian Galeazzo Sforza, then became a trusted man and adviser politician of Ludovico il Moro. Ludovico himself was a guest of the Landriani in Villa Mirabello on February 4, 1500. A few years later the villa became one of the houses of the order of the Humiliati, of which Gerolamo Landriani was general. The Landriani family remained the owner of Villa Mirabello for some tens of years, enough to leave traces still visible today in the form of coats of arms that stand out on the fireplace of the main hall and on the ceilings, together with the motto "always el duty ”frescoed on the walls of the villa next to pomegranate figures and blue crosses. It seems that the villa then passed from Landriani to Marino, a rich family of Genoese origin whose member Tommaso entrusted Galeazzo Alessi with nothing less than the construction of Palazzo Marino in Piazza Della Scala. The history of the villa, in the following years, is rather confused, but it is known that it later became the property of the Serbelloni family and that, starting from the mid-1500s, it faced a sad decline: the building was reduced exclusively to uses agricultural and over the next three centuries it became increasingly dilapidated, until Luca Beltrami, in 1891, considered it by re-evaluating it as an illustrious example of Lombard architectural art. https://www.fondazionevillamirabello.it/